About

TV Festival Testimonial – March 19 2019

I was influenced to enter the festival after i won best tv pilot/ script writer of the month in October 2018 i knew i had something special. My feelings on the feedback i received were positive i feel blessed to be apart of this opportunity.

Submit your TV Show/Pilot via FilmFreeway:

Watch the Screenplay Reading:

CAST LIST :

Eve – 2 – Brittany Clough
Mary – 3 – Anne McMaster
NARRATION – Jen Daniels
Jesus – 4 – Hugh Ritchie
Satan – 7 – Ron Boyd
Adam – 2 – Rhys Harrison

A FilmFreeway preferred festival:

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TV Festival Testimonial – March 6 2019

Particularly the reading portion. Before, most of my writing existed in my head or in the heads of others. It is a completely different experience to have it read out loud, especially from a dialogue perspective.

Submit your TV Show/Pilot via FilmFreeway:

WILLOWWOOD by Christopher Locke

SYNOPSIS:

Genre: Comedy, Fantasy, Drama

When two aimless slackers discover their entire reality is a TV show and they are merely background characters in a mediocre family sitcom, they attempt to inject some much needed conflict into the lives of the family in order to save the show (and their reality) from cancellation.

CAST LIST:

NARRATOR – Sean Ballantyne
JASMINE – Michelle Alexander
SHELDON – Brogan Caulfield
RUSS – Martin Huss
BARBARA – Viktoria Napoleonova
DERRICK – Michael Lake
WOMAN – Erynn Brook

FEBRUARY 2019 Winning TV Screenplay Readings

Submit your TV Show/Pilot via FilmFreeway:

 

ACTORTV PILOT SCREENPLAY: OLD DYKES by Elise Dhaene

ACTORTV PILOT SCREENPLAY: THE SWITCH by Thomas Clary

 

 

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch

TV Festival Testimonial – March 4 2019

I learned about the festival on line. First, as a new writer, I know how important it is to get my work out there, everywhere I can. I also value the feedback, although I always rely on my own instinct and taste. First and foremost, I write for myself. Especially for Supernatural, that makes sense to me, since I am part of their largest demographic viewership. I also loved the idea of having professional actors table read my work. So cool.

My initial reaction to the feedback was, Wow! He really liked my work. I mean, when the first sentence you read says, “An exceptionally well-written episode of Supernatural…” you know you’re off to a great start! I did incorporate the advice to lower my page count, and it was a good lesson in evaluating what scenes were absolutely crucial to the story. I really did learn something, and isn’t that the point?

  • B. Bonaduce

Submit your TV Show/Pilot via FilmFreeway:

TV Festival Testimonial –February 27 2019

As a TV pilot there aren’t that many festivals to enter a script like: Psi-Com 5, and this is the 1st contest I have entered it. I found the feedback thorough and helpful.

  • Ed Vela

CAST LIST:

NARRATOR: Becky Shrimpton
Lynx: Merlin Simard
Lucien: Allan Brunet
Joselyn: Mahtab Sabet
Liticia: Kate Varadi
Titansor: Anthony Tran
Hadley: Scott Beaudin
Cho: Salma Dharsee

What is your TV Pilot screenplay about?

At a secret government facility, young psychics are being trained and their psychic gifts developed but when one group: Psi-Com 5, finds out about an enhancement program that is killing and maiming some of the younger less powerful psychics, while at the same time discovering a powerful young psychic on the outside being used as a pawn, they decide to try to escape the confines of the Clinic.

Submit your TV Show/Pilot via FilmFreeway:

Watch recent TV PILOT Performance Readings:

Teleplay Script Movie: EPS: Emergency Psychiatric Service

Written by Holly Scarabosio, Christopher Carson Emmons, Michael Miceli

Created by Holly Scarabosio

Editor & Visual Design by Kimberly Villarruel

Voice Over Actors:

Matt Barnes
Kierston Drier
Allison Kampf
Shepsut Wilson
Danielle Nicole

Produced by Matthew Toffolo

EMERGENCY PSYCHIATRIC SERVICES
EPS
Pilot “NORMAL”

Psychiatric nurse Helena moves from Milwaukee to San Francisco to take a new job — accompanied by her fiancé Jake. They plan to start a new life together — she as a psychiatric nurse at a prominent EPS—Emergency Psychiatric Services; he as a computer tech and would-be writer.

Plans don’t always work out.

Helena, a vivacious, daring, go-getter, is thrown into the EPS in dramatic fashion. There is one patient, Samantha, a young, sexually abused woman, who captivates Helena’s consciousness.

Helena quickly establishes herself. She and her head nurse, Pearl, understand and appreciate each other. Helena finds people she can rely on and those that she has to be wary of. Helena’s “illness/ abilities” start to reappear. And there are two male physicians who seem to be captivated by her.

Meanwhile, and quite suddenly, Jake announces he’s found a new job — back in Milwaukee! Helena is stunned. She feels betrayed. She can’t fathom his decision.

And so the series moves ahead — with Jake leaving, perhaps for good; with Helena throwing herself into her new job and rejecting a lucrative offer to return to a hospital in Milwaukee; with new patients coming and going with each episode. All the while there is the patient Samantha, returning and affecting Helena. And there is the young Dr. Gaytan Oster, who shares an unspoken attraction with Helena — unspoken for the time being that is.

Each of the projected 13 episodes of the first season of EPS stands alone, but there are recurring characters and plot lines that link the season together — and set the stage for seasons to come.

Writer Biography – Holly Scarabosio

I have been a Registered Nurse for 30 years. I spent the majority of my career being a Psychiatric Nurse on a locked Emergency Psychiatric Service.

I created EPS, and I’ve written the pilot along with two other screenwriters, Christopher Carson Emmons and Michael Miceli. Our writing team has more than 20 screenplay and film nominations, both in the USA and internationally.

Writer Statement

My one-hour TV series EPS (Emergency Psychiatric Services) would be unique —because it would be the first medical drama to focus accurately on the mentally ill.

EPS follows an idealistic young nurse who cares for mentally-ill patients — while struggling with her own crazy life and her “abilities”.

It is a cross between E.R., One Flew Over the Cuckoo’s Nest and Sex In the City — with captivating characters doing their best to serve a wide range of mentally-ill patients.

The series is based largely on my twenty years of real-life experience as a nurse in emergency psychiatric services. Each episode presents new and returning patients — who have stories to tell. As do the staff that cares for them. Stories so riveting that audiences will remain engaged episode after episode.

The main character is Helena, a young, bold, vivacious, unconventional, inspiring nurse, who moves from Milwaukee to San Francisco with her fiancé Jake, with plans to start a new life together. Plans don’t always work out!

JANUARY 2019 Winning TV Screenplay Readings

Submit your TV Show/Pilot via FilmFreeway:

 

festival posterWINNING LGBT TV PILOT SCREENPLAY: Fluidity by Tayler Carter

festival posterWINNING TV SPEC SCREENPLAY: The Middle “The Fancy Party”
festival posterTV BEST SCENE SCREENPLAY: The Rummy Club by Anoop Judge

festival posterTV BEST SCENE SCREENPLAY: Run, Run, Run by Michael J. Shapiro
festival posterTV BEST SCENE SCREENPLAY: The Lives of Our Time by Mike Gallagher

festival posterTV BEST SCENE SCREENPLAY: My Life With Lukas by Eric A. Walters
festival posterTV BEST SCENE SCREENPLAY: The Immortal King Jesus by Justin Lamar Petty

festival posterTV BEST SCENE SCREENPLAY: The Portal by Farook Qais

 

 

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch