Original Script Reading of QUANTICO TV Show, by Leslie Lyshkov

Watch the September 2017 Winning Screenplay:

In the present day, both Alex and Ryan are assigned to the American Southwest. Alex to offer security to a fringe gubernatorial candidate. Booth to infiltrate a dangerous alt-right militia. In the flashback, Owen’s CIA trainees are assigned to launder money out of foreign country back to the United States.

Genre: Crime, Drama, Thriller, Mystery

CAST LIST:

Narrator: Laura Kyswaty
Alex Parrish: Premika Leo
Ryan: James Boutcher
Harry/Putin: Rob Notman
Eddie: Brandon Knox
Popeye: Luke Robinson
Abigail Torres: Julie McCarthy
Shelby: Lindsay Rolland Mills

Get to know the writer:

What is your screenplay based on the TV show about?

Because my teleplay uses the flashback/flash-forward format of season one and two Quantico, my A-story and B-story occupy separate time lines. The flashback B-story is a “typical” episode at The Farm where Owen Hall tasks the CIA trainees to complete a training mission within a single episode. The A-story conforms to the series multi-episodic format for the flash-forward sequence. In this case, a new setup for a new flash-forward sequence. I saw no other way to write a Quantico spec within the second season format.

How does this screenplay fit into the context of the TV series?

Quantico’s format and principal cast are expected to change for Season 3. However this spec remains a continuation of Season 2. Because no Season 3 episodes have aired yet, I have no idea how this spec will fit within the series after (S3:E1) airs.

How would you describe this script in two words?

Documentary-Fiction. Fictional setups written months earlier are being caught up by current events. The WILDsound Festival can attested to this. This teleplay was submitted in May and Charlottesville occurred the month AFTER the teleplay was selected by WILDsound.

What TV show do you keep watching over and over again?

I like the original UK version of Life on Mars for its over-the-top characters. At present, I am binge-watching The Wire in preparation of tackling my first pilot teleplay.

How long have you been working on this screenplay?

Six months total. I began to binge-watch Quantico a year-ago because it seemed a good prospect for a spec teleplay. I spent two months outlining a story, three months writing the teleplay’s first draft, and one month rewriting and polishing its second draft. All writing was done in spare time. The script reflects somewhat under 200 actual hours labor. It could’ve been finished in four weeks if it had been a full-time project.

How many stories have you written?

Not enough. My portfolio consists of two feature length screenplays, an under-feature length 60-some page thriller, and this spec episodic. My goal for 2018 is to write a pair of 1-hour television pilots.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

George Gershwin’s Summertime. It’s not my all time favorite song but I do like it a lot and I’ve heard so many cover versions by so many artists that there couldn’t be a song I’ve heard more often. For anybody unfamiliar with jazz, the rock band Sublime’s Doin’ Time is a cover of Gershwin’s Summertime.

What obstacles did you face to finish this screenplay?

This was easy. Character and tone are the toughest things for me to write. In this episodic spec, rather than create characters and create a tone, I mimicked Quantico’s characters and its tone. Regrettably, my talent for mimicry clearly exceeds that for creativity.

Apart from writing, what else are you passionate about?

Bicycling and swimming. I am not particularly passionate about what a writer should be passionate about such as: reading, film, or television. My favorite part of writing is typing THE END at the very bottom of the last page.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I figure that a spec teleplay exists only to get exposure and that WILDsound’s table reading is that kind of exposure.

You entered your screenplay via Withoutabox. What has been your experiences working with the submission platform site?

Withoutabox is the easiest-to-navigate submission platform for the technically challenged, such as myself.

Any advice or tips you’d like to pass on to other writers?

I’m convinced that, for the vast majority of us, writing a feature script is an exercise in futility. Although I don’t share the same pessimism toward television writing at this moment, I have no idea how ‘ll feel about it a year from now.
Don’t be in too big a hurry and wait until you have a polished draft before submitting to a writing competition. The worst thing that can happen with a script is to have a rough-draft make the finals or place third when a polished draft might have actually won.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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August 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for August 2017:

ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson
 

ACTORSTUDENT TV PILOT Screenplay – EVERHART
August 2017 Reading
by K. Wayman Dodd
 

ACTORLGBT TV PILOT Screenplay – THE DISAPPEARANCE
August 2017 Reading
by Jess Harris Distefano
 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

May 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for May 2017:

 

ACTORLGBT TV PILOT – FAUK MY LIFE
May 2017 Reading
by Stephanie Neroes

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

 

ACTORTV BEST Scene – INFINITY’S EDGE
May 2017 Reading
by Anthony M. Dionisio

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

HOUSE OF CARDS Season 5 – What the critics are saying about it!!

house of card season 5.jpg76% of critics have praised the new season.

The bleakest (yet somehow still extremely fun to watch) season of the show yet.

June 1, 2017 | Full Review…

A good start after last season’s erratic finish.

May 26, 2017 | Rating: A- | Full Review…

Having laid to rest the long-standing charge that House of Cards was too absurd to be taken seriously as “prestige television”, the Netflix caper has rediscovered its cocksure strut.

May 17, 2017 | Rating: 4/5 | Full Review…

Even with the thick miasma of dread and vague impending doom that hangs over the season, the show still excels at providing viewers with laugh-out-loud moments that one just doesn’t see coming.

May 30, 2017 | Rating: 4/5 | Full Review…

It sometimes seems as if the series’ showrunner is an episode of Morning Joe that has somehow gained sentience and really likes poorly framed wide shots.

May 30, 2017 | Rating: 2/5 | Full Review…

All of a sudden, the presidential drama finds itself tragically behind the curve. What a pity — it would have been so subversive if Hillary Clinton had won.

May 31, 2017 | Full Review…

Five seasons in, House of Cards still trades in predictable scripting that recycles the same themes time and again.

June 2, 2017 | Full Review…

March 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for March 2017:

 

ACTORTV PILOT Screenplay – WHEN THE WORLD WAS SQUARE
March 2017 Reading
Written by Irwin Greenstein

ACTORLGBT WEB SERIES Screenplay – LITTLE SISTA
March 2017 Reading
Written by Charmaine Bingwa

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

February 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for February 2017:

ACTORTV PILOT Screenplay – ECHOES OF BONNIEVILLE
February 2017 Reading
Written by Simon Schneider

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORFAN FICTION Screenplay – POPEYE “SPINACH RUN”
February 2017 Reading
Written by Neil Chase

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

July 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for July 2016:

The Spectral City by Arthur Vincie

SYNOPSIS:

Genre: Sci-Fi, War, Supernatural

Three refugees, thrown together by chance, flee a modern-day civil war set in an unspecified country. Evading the army, rebels, bandits, gods, and demons, they head to the one place no one dares go to the Haunted City at the heart of the country. There they seek out the White Witch, who rules the City and who’s either their ticket out or their worst nightmare.

CAST LIST:

NARRATOR – Susan Wilson
JULIET – Courtney Keir
ISHMAEL – Brandon Knox
THEO/MATTHEW – Julian Ford
STEVEN/ADJAI – Sean Ballantyne
JIM – David Guthrie
NURIYAH – Meghan Allen

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Star Trek Deep Space Nine: Power Loss by Jennifer Renner

SYNOPSIS:

Genre: Sci-Fi, Adventure, Action, Fantasy

Synopsis: Episode 32.5 of the TV series Star Trek: Deep Space Nine. The station welcomes visitors from a planet in the Gamma Quadrant that allows only women to hold positions of authority.

CAST LIST:

NARRATOR – Brandon Knox
BENNI – Susan Wilson
SORYA/KIRA – Meghan Allen
DAX/LELA – Courtney Keir
ODO – Julian Ford
BASHIR/QUARK – David Guthrie
SISKO/RISHTA – Sean Ballantyne