2017 TV PILOT Winners (19)

 

ACTORPSI-COM 5 TV PILOT
December 2017 Reading
by
ACTORMINNIE NOIR TV PILOT
December 2017 Reading
by Katie Grotzinger
ACTORFANTASY TV PILOT Screenplay – EIRE’S SONG
November 2017 Reading
by Kristen Nedopak
ACTORCRIME TV PILOT Screenplay – THE BIGGEST LITTLE
October 2017 Reading
by Craig Page
ACTORLGBT TV PILOT Screenplay – THE UPSIDE OF OVER
October 2017 Reading
by Dan Hass
ACTORBEST SCENE TV Screenplay – DARK HEROES
October 2017 Reading
by Peter Sims
ACTORTV 1st Scene Screenplay – KODAK MOMENT
September 2017 Reading
by John Cruz Alarid

ACTORTV 1st Scene Screenplay – CELTIC BLOOD
September 2017 Reading
by Richard William Masterson

ACTORSTUDENT TV PILOT Screenplay – EVERHART
August 2017 Reading
by K. Wayman Dodd

ACTORLGBT TV PILOT Screenplay – THE DISAPPEARANCE
August 2017 Reading
by Jess Harris Distefano

ACTORWESTERN TV PILOT Screenplay – SIRINGO
July 2017 Reading
by Nathan Ward

ACTORANIMATION TV PILOT Screenplay – CHICKEN COP
July 2017 Reading
by Bryan Cahill

ACTORFEMALE TV PILOT Screenplay – JUNKED
June 2017 Reading
by Alice Dennard

ACTORLGBT TV PILOT – FAUK MY LIFE
May 2017 Reading
by Stephanie Neroes

ACTORTV BEST Scene – INFINITY’S EDGE
May 2017 Reading
by Anthony M. Dionisio

ACTORFAN FICTION TV PILOT Screenplay – THE GHOST AND MRS. MUIR
April 2017 Reading
Written by Richard Mueller

ACTORTV PILOT Screenplay – WHEN THE WORLD WAS SQUARE
March 2017 Reading
Written by Irwin Greenstein

ACTORLGBT WEB SERIES Screenplay – LITTLE SISTA
March 2017 Reading
Written by Charmaine Bingwa

ACTORTV PILOT Screenplay – ECHOES OF BONNIEVILLE
February 2017 Reading
Written by Simon Schneider

 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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2017 TV SPEC Winners (11)

ACTORTV SPEC Screenplay of BETTER CALL SAUL
November 2017 Reading
by Jimmy Prosser

ACTORTV SPEC Screenplay – QUANTICO Show
September 2017 Reading
by Leslie Lyshkob

ACTORTV SPEC Screenplay – BOJACK HORSEMAN show
September 2017 Reading
by Cameron Chapman

ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson

ACTORFAN FICTION TV PILOT Screenplay – D FOR DEXTER
July 2017 Reading
by Jessi Thind

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt
ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORFAN FICTION Screenplay – POPEYE “SPINACH RUN”
February 2017 Reading
Written by Neil Chase

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

December 2017 TV Pilot/Spec Screenplay Winners

 

ACTORPSI-COM 5 TV PILOT
December 2017 Reading
by
ACTORMINNIE NOIR TV PILOT
December 2017 Reading
by Katie Grotzinger

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

November 2017 TV Pilot/Spec Screenplay Winners

 

ACTORTV SPEC Screenplay of BETTER CALL SAUL
November 2017 Reading
by Jimmy Prosser
ACTORFANTASY TV PILOT Screenplay – EIRE’S SONG
November 2017 Reading
by Kristen Nedopak

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of PSI-COM 5, by Ed Vela

 

CAST LIST:

NARRATOR: Becky Shrimpton
Lynx: Merlin Simard
Lucien: Allan Brunet
Joselyn: Mahtab Sabet
Liticia: Kate Varadi
Titansor: Anthony Tran
Hadley: Scott Beaudin
Cho: Salma Dharsee

What is your TV Pilot screenplay about?

At a secret government facility, young psychics are being trained and their psychic gifts developed but when one group: Psi-Com 5, finds out about an enhancement program that is killing and maiming some of the younger less powerful psychics, while at the same time discovering a powerful young psychic on the outside being used as a pawn, they decide to try to escape the confines of the Clinic.

Why should this screenplay be made into a TV show?

Psi-Com 5 has at its core a few elements that make it very appealing for episodic television or platform viewing: it has well drawn characters relatable for who they are and who they aren’t, it has a basic “chase” plot element as PC5 works to stay hidden from society at large while staying one step ahead of the Clinic as they relentlessly pursue them, and it combines both a sci-fi and thriller element as it deals with both psychic powers and the danger of the pursuit.

How would you describe this script in two words?

Super Psychics.

What TV show do you keep watching over and over again?

Game of Thrones.

How long have you been working on this screenplay?

A few years.

How many stories have you written?

About 60, if you count stage plays, screenplays and teleplays.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

The Longest Time by Billy Joel.

What obstacles did you face to finish this screenplay?

Firstly, the framing device, it seemed natural once I realized that Lynx is such a acerbic character that if you didn’t know what he was thinking he wouldn’t be near as likeable as he ended up being, so I told it thru his eyes. Secondly, the age old dilemma in a pilot: making sure ask more questions than you answer.

Apart from writing, what else are you passionate about?

I love producing, directing and acting in my own short films, and web series. It offers me a creative smorgasbord.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As a TV pilot there aren’t that many festivals to enter a script like: Psi-Com 5, and this is the 1st contest I have entered it. I found the feedback thorough and helpful.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I find FilmFreeway a fantastic way to search, find and enter festivals all over the country and the world.

Any advice or tips you’d like to pass on to other writers?

If its not a story that you feel you have to write… Don’t write it. If you think it’s interesting… The audience will too.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of MINNIE NOIR, by Katie Grotzinger

CAST LIST:

NARRATOR: Becky Shrimpton
Minnie: Kate Varadi
Nick: Scott Beaudin
Dash: Merlin Simard
Ms. Kirkpatrick: Mahtab Sabet
Connor: Allan Brunet
Lincoln: Anthony Tran

Get to know the writer: 

What is your TV Pilot screenplay about?

Minnie Hughes is a hardboiled noir detective that also just so happens to also be the shortest girl in the fourth grade. When a candidate for class president’s show and tell South African ostrich egg goes missing, Minnie jumps on the case. Meanwhile, she also deals with her best friend Lincoln Park feeling under appreciated after she calls him her secretary and struggles with asking her crush, Vijay Sampat, a kind of male femme fatale, to be her dance partner for gym class.

Why should this screenplay be made into a TV show?

There are so many wonderful cartoons right now inspired by Japanese anime. They take joy in taking the viewer to strange lands and entertaining them with awesome action sequences. I think that’s great, but I also think there’s much to be mined from American genres like noir. Additionally, I think there’s room for quieter shows that embrace more what it’s like to be a kid. I think Hey Arnold and Recess both did that beautifully and I’d like to write something like that for kids growing up.

Most of all, Minnie is for every weirdo kid that finds solace into escaping into another world for one reason or another. For Minnie, it’s noir and her love of mystery comes from the fact that she never got to know her parents, so they’re the biggest mystery of all. If this show could make some kid feel less alone, that would the greatest honor.

How would you describe this script in two words?

Kid Noir

What TV show do you keep watching over and over again?

South Park!

How long have you been working on this screenplay?

Good question! This was actually my thesis project for my Screenwriting MFA at DePaul University in Chicago. I worked on this for a few semesters and now continue to tinker with it off and on.

How many stories have you written?

Quite a few! I try to write every day and have accumulated hundreds of false starts over the years. I have a handful of scripts I’m truly proud of.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’d say right now it’s “Something Beautiful” by Pansy Division.

What obstacles did you face to finish this screenplay?

I had a clear idea of the A story in mind from the get go, but my MFA thesis professor and classmates really challenged me to flesh out the B and C stories and I think the pilot is much stronger for it.

Apart from writing, what else are you passionate about?

I’m a total true crime geek. I regularly follow two true crime podcasts – The Last Podcast on the Left and My Favorite Murder. Both are absolutely fantastic. If I can’t think of anything to watch, I’ll turn on a cheesy serial killer documentary. Also, my favorite true crime book right now is The Yoga Store Murder: The Shocking True Account of the Lululemon Athletica Killing by Dan Morse.

Believe or not, my fascination with The Zodiac Killer actually made its way into an episode of Minnie Noir I’ve been writing – the Christmas special to boot! Nothing violent though, of course. Minnie just struggles to crack a mysterious, intensely complicated code from letters she’s received. (The code, naturally, is composed from stickers.)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Despite working and reworking on this pilot as much as I have, I still recognize that it could always be better. I have a big place in my heart for this story and I want to do anything I can to make it the best it can be, so feedback is a must.

And it’s funny! See, originally, I had two characters named Connor. This was for a couple of reasons. For one, when I was growing up, there was a year where we had three Connors to one class, all spelled the same way, only to be identified by the first initial of their last name. I also have a common name and there’s usually another Katie, so I empathized. It seems like such a staple of childhood. It was also a shoutout to shows I loved growing up like Ed, Edd n’ Eddy and the Ashleys from Recess where the same names are part of the camaraderie and comedy.

But I had gotten the note before that having two Connors was confusing. I finally made the change when I got the note from you guys! Thank you for finally getting me to change it.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been stellar! I’ve submitted a bunch of stuff through FilmFreeway and appreciate how easy it is to find specific contests for certain projects.

Any advice or tips you’d like to pass on to other writers?

I have difficulty finishing scripts unless I have someone to bounce ideas off of. Having a community of writers, or even just one friend, to get feedback from makes scripts come together so much easier and better than they would be in just the isolated writer bubble we all sometimes fall into. Also, watch episodes or read scripts similar to what you’re going for. It’s not only fun, but it’ll give you some inspiration.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

HIGHLIGHTS & VIDEOS: Toronto November 2017 Film Festival

FEEDBACK Female Film Festival

AUDIENCE FESTIVAL AWARDS

Best Film: HEDDA NEEDS HELP

Best Performances: THE BENEFACTION

Best Cinematography: THE FOREST PRINCESS

Best Music: The music from BETWEEN SECONDS

Watch the Audience FEEDBACK Videos for each film: 

festival posterPOST NO BILLS, 5min, Canada, Animation/Adventure 
WATCH Audience FEEDBACK
festival posterTHE FOREST PRINCESS, 5min, USA, Fantasy/Family 
WATCH Audience FEEDBACK
festival posterTHE BENEFACTION, 27min, USA, Drama
WATCH Audience FEEDBACK
festival posterFIRM WITH PURPOSE, 5min, USA, Comedy 
WATCH Audience FEEDBACK
festival posterBETWEEN SECONDS, 20min, USA, Romance/Music 
WATCH Audience FEEDBACK
festival posterHEDDA NEEDS HELP, 14min, USA, Comedy 
WATCH Audience FEEDBACK
festival posterFELL, 5min, USA, Drama/Supernatural,
WATCH Audience FEEDBACK

The FEMALE NOVEMBER 2017 FEEDBACK Film Festival gave our audiences the best NEW films by women directors from around the world.

The theme of the festival was “TAKING RISKS”.

Every film showcased was about a setting where a character takes a big risk to acheive what they desire.

NOTE: Our 5th Female Director’s festival!

The Female FEEDBACK Film Festival…

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