Winning TV Screenplays for August 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORTV Screenplay: MY MOTHER MURDERED MY FATHER by Josephine A. Perry
August 2018

ACTORTV SPEC Screenplay: RICK & MORTY by Javier Torregrosa
August 2018

 

Submit your TV Show/Pilot via FilmFreeway:

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

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Winning TV Screenplays for June 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORHEADCASE – TV PILOT Screenplay
June 2018 Reading
by Christopher K. Jones

 

ACTORTHE GLOBAL FUND – TV Best Scene Screenplay
June 2018 Reading
by Josep Colomer

 

ACTORTHE WRONG TICKET – TV CRIME Screenplay
June 2018 Reading
by John Ravitz

 
 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

Winning TV Screenplays for May 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORGALAPAGOS – TV Screenplay
May 2018 Reading
by Lukas Hassel

ACTORREMOTELY WORKING – Comedy TV Screenplay
May 2018 Reading
by Bill Baber

ACTORMY MOTHER MURDERED MY FATHER – 1st Scene TV Screenplay
May 2018 Reading

ACTORTIME SLIP – Best Scene TV Screenplay
May 2018 Reading
by Meredith Hill

ACTORTWEED – Best Scene TV Screenplay
May 2018 Reading
by Christopher SCott McClure Phd.

ACTORDELIVER ME PIZZARIE – Best TV Screenplay
May 2018 Reading
by Anne Luong

ACTORPAYCHECK 2 PAYCHECK – Best Scene TV Screenplay
May 2018 Reading
by Chris Skeeter

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV PILOT SCI-FI – GALAPAGOS, by by Lukas Hassel

 

Genre: Sci-Fi, Adventure

It’s year 2437. 3000 meters under the icy crust of earth, the last remaining pocket of humanity struggles to answer the question: Is life for the sake of living any life at all?Extinction is the rule. Survival, the exception.

CAST LIST:

Red: Lara Amersey
Charlotte: Jane Smythe
Captain: Rais Moui
Narrator: Hugh Ritchie
Dan: Scott McCulloch
Bram: Tim Paul McCarthy
Laura: Georgia Grant
Ash: Alicia Payne

Get to know the writer:

1. What is your TV Pilot screenplay about?

What happens inside and outside Station Galápagos is a harsh examination of the things we don’t understand and the things we refuse to understand; the leaps of faith we take; the tough choices we are forced to make; and the fine points that can make our existence worthwhile.

It tries to answer the question: is hope for good or for bad?

2. Why should this screenplay be made into a TV show?

This show contains a darkness I have not yet seen on TV. This will not be about sfx and pretty people, but real conflicts and characters in extreme situations. Galápagos would be able to shine a light on a future that could very well become a reality.

3. How would you describe this script in two words?

Dark. Uncompromising.

4. What TV show do you keep watching over and over again?

I don’t watch much TV, but i did enjoy Black Mirror.

5. How long have you been working on this screenplay?

This was originally a screenplay I wrote 5 years ago. Took me a year. The toughest script to date I have written. I always felt it would make a great TV show, and so adapted parts of the screenplay into a TV pilot to learn the format better. The pilot adaptation took another 4 months.

6. How many stories have you written?

I have written 6 screenplays (4 of which I’m really happy with), 2 short screenplays (both made into succesful short films – “Into the Dark” and “The Son, the Father…”), and TV pilot.

7. What is your favorite song? (Or, what song have you listened to the most times in your life?)

“One More Kiss, Dear” from Blade Runner

8. What obstacles did you face to finish this screenplay?

Not having written for TV before – spending a lot of time understanding the structure of a feature film screenplay – I had to adapt my format and technique to fit a different medium. I learned a lot about the differences in the media.

9. Apart from writing, what else are you passionate about?

Staying present, being kind, standing up for myself, owning my strengths and weaknesses, fighting injustice, highlighting ignorance, questioning manmade religion.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had been fortunate enough to have won before with a different script, and really enjoyed watching the reading (via youtube link). I knew it would be helpful to me. The positive feedback was extremely welcome at a time when i was doubting the strength of my material.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway is great. User friendly and easy.

12. Any advice or tips you’d like to pass on to other writers?

Locate writers who are better than you, and get feedback. Rewrites are essential. Don’t be afraid of sharing your work. The most common mistake I see with films out there on the festival circuit is that the script wasn’t ready. It was not fully developed/thought through. Never think your script can’t improve.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Winning TV Screenplays for April 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORTV FAN FICTION PILOT: SCOOBY DOO: AGE OF AQUARIUS
April 2018 Reading
by Katie Grotzinger
ACTORJOHN Q TV Best Scene Screenplay
April 2018 Reading
by Jason Jung
ACTORESC(APE) ONLINE TV Best Scene Screenplay
April 2018 Reading
by Christopher Kerr
ACTORDRAGONS AND WOLVES – TV Best Scene Screenplay
April 2018 Reading
by Drew Henriksen
ACTORGLOBAL FUND – TV Best Scene Screenplay
April 2018 Reading
by

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV COMEDY BEST SCENE Reading of FUNNY FARM, by Deshon Porter & Donnell Porter

Genre: Comedy, Political

A hotshot young politician pus his campaign on hold when he pleads insanity to escape jail time, but he spends more time trying to earn his career back than his sanity.

CAST LIST:
Narrator: Elizabeth Rose Morriss
Jessica: Ali Chappell
Server: Scott McCulloch
Sam: Gabriel Darku
Cashier: Val Cole
Delivery Person: Peter-Mark Raphael

Get to know the writer:

 1. What is your screenplay about?

Funny farm is about a couple who is just about to get married and want a change in their lives, they don’t want to live in the noise of the city. They want to be in the subs where it is a lot less noisier. this would be perfect for either a sitcom or a film.

2. What genres does your screenplay fall under?

This is really good for TV sitcom but it can also be good for a funny movie.

. 3. Why should this screenplay be made into a movie?

This film should be made into a movie because a lot of people need to laugh in the theaters again, it will be fun to go see a funny movie.

4. How would you describe this script in two words?

Real fun

5. What movie have you seen the most times in your life?

Titanic

7. How many stories have you written?

Fur

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Hall of Fame

9. What obstacles did you face to finish this screenplay?

Getting tired at times when I really wanted to get it done.

10. Apart from writing, what else are you passionate about?

I Love to host and produce my own online radio show the big d zone. I also enjoy helping the church get out to more places on the radio.

in memory of my late wife tresa donnell porter

Let me add that my late wife would have been proud to see this day for this is her work as well my only wish is she was here to see people enjoy the work .

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

TV HORROR BEST SCENE Reading of PEEL, by Matthew Torti

Genre: Horror

Logline: A struggling make-up artist is given the opportunity to work alongside the industry’s most successful actor, who is secretly a real life monster.

CAST LIST:
Narrator: Elizabeth Rose Morriss
Jimmy:Peter-Mark Raphael
Creedance: Scott McCulloch

Get to know the writer:

 1. What is your screenplay about?
PEEL is a television series about a struggling make-up artist that is gifted the opportunity to work alongside the industry’s most successful actor, who is secretly a real life monster.

2. What genres does your screenplay fall under?
Horror.

3. Why should this screenplay be made into a movie?
PEEL focuses on people who wear masks, in both the literal and metaphorical sense, which I feel touches on some important current issues we are facing. But it also tells a story that is entertaining, fun, creepy and serious in equal measure, since horror is one of the most important genres in that, historically, it can adopt a variety of different tones without losing sight of its true identity.

4. How would you describe this script in two words?
Honest. Fantastical.

5. What movie have you seen the most times in your life?
BEETLEJUICE.

6. How long have you been working on this screenplay?
Seven months.

7. How many stories have you written?
7 features and 4 pilots.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
The Grand Finale by Danny Elfman (from EDWARD SCISSORHANDS)

9. What obstacles did you face to finish this screenplay?
It was a challenge to find where the characters wanted to go. Even though I write treatments, once I start writing a script I often let the character choose their own path. More often than not, the challenge is making sure they make decisions that serve them and the story.

10. Apart from writing, what else are you passionate about?
Reading, playing music, spending as much time as I can with my son.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox