TV SPEC Screenplay Reading of TRANSPARENT “Who’s Getting Ali”, by Horton Emory


TSA Officer: Allan Brunet
Husband: Diego O’Brien
Len: Justin Martins
Narrator: Elizabeth Morriss
Sarah: Michele Urbano
Ali: Jessica Bowmer
Davina: Victoria Urquhart


Producer/Director: Matthew Toffolo

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch

Winning TV Pilot Screenplay – EMERGENCY PSYCHIATRIST SERVICE by Holly Scarabosio

Psychiatric nurse Helena moves from Milwaukee to San Francisco to take a new job — accompanied by her fiancé Jake. They plan to start a new life together — she as a psychiatric nurse at a prominent EPS—Emergency Psychiatric Services; he as a computer tech and would-be writer.  Plans don’t always work out.


Gayton: Peter Mark Raphael

Samantha: Monica Knox

Jake: Isaiah Kolundzic

Narrator: Esther Thibault

Helena: Victoria Urquart

Pearl: Norma Dunphy

Murphy: Dan Cristofori

Submit your TV Show/Pilot via FilmFreeway:


Producer: Matthew Toffolo

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

TV SPEC Screenplay – RICK & MORTY “The Rickgotiator” by David Cryan

Watch the August 2016 Winning TV PILOT screenplay.

RICK & MORTY “The Rickgotiator” by David Cryan


Genre: Comedy, Animation

When Morty accidentally gets his family kidnapped while trying to stop an alien war, he and Rick must execute an elaborate plan to rescue their family and trick the aliens into calling a truce.


NARRATOR – Becky Shrimpton
RICK – Stephen Flett
MORTY – Adam McNamara
BETH – Laura Darby
JERRY – David Straus
BLECKAR – Lorne Hiro
GARY – Rais Muoi
SUMMER – Victoria Urquhart

Get to know the winning writer:

What is your Rick & Morty TV SPEC screenplay about?

My Spec is about Rick learning where he can get some Chromosome Infinity, an elusive and rare substance he’s been after for a while. Rick finds out that it is located in the neutral zone, and if he tries to get it, it could spark an alien war, but he’s selfish. Meanwhile, Jerry tries to get a job and deals with his overall lack of confidence.

How does this screenplay fit into the context of the TV show?

It fits well into the context of the show because it has the big high concept sci-fi A story and a low key down to earth B story that collide at the halfway point.

How would you describe this script in two words?

I wouldn’t.

What TV show do you keep watching over and over again?

Oh boy, one? I have an obnoxiously long list including: The Simpsons, Arrested Development, The Larry Sanders Show, Seinfeld, 30 Rock, Unbreakable Kimmy Schmidt, Veep, Futurama, The Critic, Frasier, Community, The Wire, The Sopranos, Breaking Bad, and of course Rick and Morty. That’s me cutting my list short. Like I said it’s obnoxiously long.

How long have you been working on this screenplay?

I spent roughly two weeks on the outline, another two weeks on a first draft, and then did periodic rewrites over the course of a couple months.

How many stories have you written?

I have written lots of sketches. Two pilots, one of which goes in drawer marked as a learning experience and is to never see the light of day. As well as three specs of existing shows, including Veep, Rick and Morty and an Unbreakable Kimmy Schmidt which I just finished a first draft of and am beginning to rewrite.

What motivated you to write this screenplay?

Fear of failure.

What obstacles did you face to finish this screenplay?

Also fear of failure.

Apart from writing, what else are you passionate about?

Personal privacy.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’m at a point where I have enough writing samples that I’m happy with. So I’ve begun actively trying to get my stuff read, be that by submitting to agencies or entering contests. As far as the feedback, some of it I agreed with some of it I didn’t, but it definitely helped make my next draft stronger.

Any advice or tips you’d like to pass on to other writers?



Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson