January 2018 TV Pilot/Spec Screenplay Winners

ACTORTV SPEC Screenplay of RICK & MORTY TV Show
January 2018 Reading
by Daniel Richardson
ACTORTV Best Scene Screenplay – PEEL
January 2018 Reading
by Matthew Torti
ACTORTV Best Scene Screenplay – FUNNY FARM
January 2018 Reading
by Deshon Porter
ACTORTV Best Scene Screenplay – CELTIC BLOOD
January 2018 Reading
by Richard William Masterson
ACTORTV Best Scene Screenplay – NOVEMBER OF MY SOUL
January 2018 Reading
by Jack Trammell
ACTORTV Best Scene Screenplay – A MATTER OF BAD TASTE
January 2018 Reading
by Gene Gwynne
ACTORTV Best Scene Screenplay – CRUDE INVESTIGATIONS
January 2018 Reading
by Chris Roberts
ACTORTV Best Scene Screenplay – FUTRE TENSE
January 2018 Reading
by Kyle Williamson
ACTORTV Best Scene Screenplay – MOISH’S MOB
January 2018 Reading
by David R. Weinraub
ACTORTV Best Scene Screenplay – LASTVIEW
January 2018 Reading
by Taylor Johnson
ACTOR TV Best Scene Screenplay – ED’S DOOR AND WINDOW CO.
January 2018 Reading
by Parker Cross Jr.
ACTORTV Best Scene Screenplay – AMERICAN SCHOOL
January 2018 Reading
by Michael Hager

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Advertisements

TV THRILLER BEST SCENE Reading of CELTIC BLOOD, by Richard William Masterson

Crime Thriller

Logline: A young Irish criminal rebuilds his boss’s empire in the US, while becoming a target of a massive conspiracy within the FBI.

CAST LIST:
Narrator: Elizabeth Rose Morriss
Teddy: Peter-Mark Raphael
Connelly/Fitzpatrick: Scott McCulloch
Michael: Gabriel Darku

Get to know the writer:

 1. What is your screenplay about?

“Celtic Blood” is written in the vein of “24” meets “Sons of Anarchy”. The series is about Irish gangster Michael Mullan, who upon being released from prison, is sent to the U.S. to rebuild his boss’s empire there. He tries to renegotiate terms with the Boston and New York gangs but encounters difficulties due to his quick temper and hidden drug use. Meanwhile FBI Agent David Deere, seeking redemption for past mistakes, leads a task force to indict Michael’s boss but soon uncovers a vast conspiracy within the Bureau. Ultimately, I have plans for this to be similar to a Greek tragedy. In attempting to stay alive, Michael and his crew as his surrogate family will have to make deals with devils and form/break long standing alliances. Finally, Michael will have to sacrifice everything including his soul, to protect those he loves.

2. What genres does your screenplay fall under?

Organized crime and government conspiracy.

3. Why should this screenplay be made into a movie?

I believe the gripping story lines; well-rounded characters and realism of both the organized crime and FBI worlds in “Celtic Blood” will appeal to a very diverse audience. In addition to the Irish, there will be characters from all corners of organized crime with elements of each of those cultures. Originally, I envisioned this script as a TV pilot but would be open to discussions as a feature. I do however have a large scale and scope for the universe and mythology of the story that would span multiple years.

4. How would you describe this script in two words?

Gritty and gripping. Unlike “The Godfather” and “The Sopranos” which romanticized the gangster lifestyle, my goal is to portray these characters as they really are, with no holds barred and all the violence, betrayal and brutality of this life shown. While Michael and his crew are likable and have a code of honor amongst themselves, at the end of the day, they are still criminals living in a kill or be killed world.

5. What movie have you seen the most times in your life?

12 Angry Men

6. How long have you been working on this screenplay?

12 years. I wrote the first draft in my sophomore year of college. I have written other scripts but this was the first to which I continually return to, tinker with and develop further. The original draft is radically different and has greatly improved as I’ve revised, retooled and tightened plot, characters and relationships. Massive ongoing research has drastically strengthened and sharpened my writing.

7. How many stories have you written?

As far as individual screenplays, I have one feature, two pilots and two spec scripts. I have multiple script ideas for features and other TV pilots, two of which I am in the beginning stages.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

“Funky Ceili (Bridie’s Song)” by Black 47. I’m a big fan of Black 47 as well as classic rock

9. What obstacles did you face to finish this screenplay?

One of the obstacles I faced was creating the dialogue and character relationships to be authentic to the life of the underworld and the FBI. Developing the characters’ back stories really informed and helped grow and expand the mythology while avoiding cliches and stereotypes.

10. Apart from writing, what else are you passionate about?

I’m very passionate about my family, protecting and spending time with them. With regarding to passion in film, I’m generally drawn to movies and TV series that deal with and explore true crime, Ireland and Irish culture, father/son and brother/brother relationships. As such, I frequently many of these themes and incorporate them into the stories I tell.

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

2017 TV SPEC Winners (11)

ACTORTV SPEC Screenplay of BETTER CALL SAUL
November 2017 Reading
by Jimmy Prosser

ACTORTV SPEC Screenplay – QUANTICO Show
September 2017 Reading
by Leslie Lyshkob

ACTORTV SPEC Screenplay – BOJACK HORSEMAN show
September 2017 Reading
by Cameron Chapman

ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson

ACTORFAN FICTION TV PILOT Screenplay – D FOR DEXTER
July 2017 Reading
by Jessi Thind

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt
ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORFAN FICTION Screenplay – POPEYE “SPINACH RUN”
February 2017 Reading
Written by Neil Chase

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of PSI-COM 5, by Ed Vela

 

CAST LIST:

NARRATOR: Becky Shrimpton
Lynx: Merlin Simard
Lucien: Allan Brunet
Joselyn: Mahtab Sabet
Liticia: Kate Varadi
Titansor: Anthony Tran
Hadley: Scott Beaudin
Cho: Salma Dharsee

What is your TV Pilot screenplay about?

At a secret government facility, young psychics are being trained and their psychic gifts developed but when one group: Psi-Com 5, finds out about an enhancement program that is killing and maiming some of the younger less powerful psychics, while at the same time discovering a powerful young psychic on the outside being used as a pawn, they decide to try to escape the confines of the Clinic.

Why should this screenplay be made into a TV show?

Psi-Com 5 has at its core a few elements that make it very appealing for episodic television or platform viewing: it has well drawn characters relatable for who they are and who they aren’t, it has a basic “chase” plot element as PC5 works to stay hidden from society at large while staying one step ahead of the Clinic as they relentlessly pursue them, and it combines both a sci-fi and thriller element as it deals with both psychic powers and the danger of the pursuit.

How would you describe this script in two words?

Super Psychics.

What TV show do you keep watching over and over again?

Game of Thrones.

How long have you been working on this screenplay?

A few years.

How many stories have you written?

About 60, if you count stage plays, screenplays and teleplays.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

The Longest Time by Billy Joel.

What obstacles did you face to finish this screenplay?

Firstly, the framing device, it seemed natural once I realized that Lynx is such a acerbic character that if you didn’t know what he was thinking he wouldn’t be near as likeable as he ended up being, so I told it thru his eyes. Secondly, the age old dilemma in a pilot: making sure ask more questions than you answer.

Apart from writing, what else are you passionate about?

I love producing, directing and acting in my own short films, and web series. It offers me a creative smorgasbord.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As a TV pilot there aren’t that many festivals to enter a script like: Psi-Com 5, and this is the 1st contest I have entered it. I found the feedback thorough and helpful.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I find FilmFreeway a fantastic way to search, find and enter festivals all over the country and the world.

Any advice or tips you’d like to pass on to other writers?

If its not a story that you feel you have to write… Don’t write it. If you think it’s interesting… The audience will too.

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

2017 – Best TELEVISION Pilot Loglines of the year!

Read the top TV PILOT pitches of the year: 

THE DARK SECRET, by Denise Buckley

WILD ONES, by Victor Mwamburi

A FAMILY’S WEB OF LOVE, by Nicole Gray

MINIGOLF CHASE, by Emir Zukic

THE PUPPETEERS, by Tracey Maye

THE MONSTER JUNKIES, by Erik Daniel Shein

THE GIFTED, by Barry Brennessel

THE PILLAGERS, by Bernard Cecire

MINDWALKER, by Thorsten Loos

BETA BY BLOOD, by Sharon Grice

AMERICANA, by Neto Depaula

RUST, by Cody Carson

LASTVIEW, by Candace Taylor Johnson

FISHNETS, by Shelli Wright

THIS IS MY DAY, by Amin Elhag

 

 

 

 

 

 

 

 

 

 

2017 – Read the best of HORROR TELEVISION Shows loglines

Read the best of HORROR TV Show ideas and synsopsis’ from around the world.

MENTAL, by Tristan J. Shuler

PATRONYMIC, by Manmohan Kumar Rana

TATTOO, by David Wise

BLAZED AMBUSH, by Craig Smith

ENENRA, by Aaron Wroblewski

PEEL, by Matthew Torti

THE BLACK MARIA, by Michael Cala

VIRUS K, by Michael Freeman

FIRESTORM, by Clayton Emery

THE EXPERIENCER, by Kevin Taft

SYLVESTER, by Michael Aanu

EIDOLA, by Robert Herold

THE SHOP OF THE UNKNOWN by G. Alex Alvarado

 

 

 

 

 

 

 

 

2017 – Read the best of SCI-FI TELEVISION Shows loglines

Read the best of SCI-FI TV Show ideas and synsopsis’ from around the world.

HARMONY AE PILOT, by Justin Bredahl

PAST CRIMES, by Obinna Ejike

VIRTUA, by Marina Ivanova

THE LOTTERY OF LIFE, by Marina Ivanova

AXON TERMINUS, by Skylier Jones

TITLE 86, by Ben Hinman

EARTHKILL, by Diane Valtera

BORDERTOWN, by David Harrison

THEY’RE BACK, by Chevez Fletcher

KINESIS, by Genevi Engle

THE FIRST ONES, by Ageless

TACHYONIC CHANGES, by Varun Dhakne

THE RELIEF, by Ross Denyer

OPEN ACCESS, by Jean-Pierre Joubert

MORPH, by Christine Davis

REVELATION, by Victor Bryan

LEAVE IT TO CLEAVER, by Ashley M. Ryan

AMONG US, by Renana Nova

HEALERS, by Celine Terranova

ZEN-MEISTER: OPPRESSION CITY, by Thomas Mazzola

KEPLER, by Curtis Matthews
NOVEMBER OF MY SOUL, by Jack Trammell

GEORGETOWN, by Gavin Mitchell