RSVP Web Series Festival – Monday June 18th, 7pm (Toronto)

The FEEDBACK Monthly Film Festival is back for 2018.. Our home is The Carlton Cinemas, located in the heart of downtown Toronto at 20 Carlton Street. The event runs from 7pm to 9:10pm.

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Kierston Drier. Showcasing a festival twice a month in Toronto in 2018!

Tickets for 2018 are PAY WHAT YOU LIKE.  = Tickets are first come first serve.

To obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us at festivalevent@wildsoundfestival.com and we’ll reserve seats for you.

You can pick up the tickets on the day of the event at the cinema. Tickets are first come, first serve. This festival has sold out 68 out of its last 70 events!

You will be able to buy alcohol (beer, wine, liquor), popcorn, candy, and refreshments before the show.

Here is the full program of films. Festival starts at 7pm sharp!

SOUNDS OF FREEDOM, 5min, USA, TV WEB SERIES/Drama
Directed by Holly Chadwick

Sounds of Freedom is a web series about Julia, a service woman who returns from the Iraq war, and Vietnam Veteran Charlie. Both suffer from post traumatic stress disorder. From their jobs at the local newspaper, and through a series of flashbacks and sessions with a common therapist, these two veterans are challenged to the max when a serial killer strikes at home.

CLICK HERE – and see full info and more pics of the film!

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HEINOUS GIRLS, 5min., Canada, TV WEB SERIES/Comedy
Directed by Eugene Smirch

Two ladies join a gang to excuse their already erratic behaviour.

CLICK HERE – and see full info and more pics of the film!

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COOL GIRLS “HOW TO THROW A GIRLS NIGHT OUT”, 8min., Canada, TV WEB SERIES/Comedy
Directed by Laura Commisso, Sarah Campbell

After a tragic “breakup” with her love interest, James, Amber convinces Terri to end her long distance relationship with Tom. In turn, the two decide to throw an emergency girls night. Amber preps Terri for the occasion.

CLICK HERE – and see full info and more pics of the film!

24


CROW’S PEAK, 4min., USA, TV WEB SERIES/Animation/Comedy
Directed by John McDonald

Drake and Frank learn a valuable life lesson after being invited to a party.

CLICK HERE – and see full info and more pics of the film!

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LEGAL FOX: A TASTE OF TRUMP, 3min., USA Drama/Comedy
Directed by Ken Lin

No matter what your political party affiliation we all can agree Donald Trump has been involved in some bizarre legal battles! Here we highlight a couple of our all-time favorites.

CLICK HERE – and see full info and more pics of the film!


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OTHER PEOPLE’S CHILDREN, 5min., USA, TV WEB SERIES/Comedy
Directed by Anna Maria Hozian & Brad Riddell

Margot Antler is a rookie second-grade teacher about to experience the insanity of parent/teacher conferences for the first time!

CLICK HERE – and see full info and more pics of the film!

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 The event runs from 7pm to 9:10pm on Monday June 18, 2018

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Kierston Drier. Showcasing a festival twice a month in Toronto in 2017!

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Winning TV Screenplays for March 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORTV SPEC Screenplay of the show TRANSPARENT
March 2018 Reading
by Marisaa Lessman
ACTORTV 1st Scene Screenplay – JAKOB’S COVE
March 2018 Reading
by Travis Darkow
ACTORTV 1st Scene Screenplay – TOUCH
March 2018 Reading
by Robert Cox
ACTORTV Best Scene Screenplay – WHAT THE HELL
March 2018 Reading
by Melissa Willis

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV Spec of TRANSPARENT “The Board Shorts”, by Marissa Lessman

 

Genre: Comedy, Drama

Maura is haunted by her old life as Josh and Ali set up a garage sale while Sarah and Shelley try to throw the perfect Purim party resulting in an unexpected outcome.

CAST LIST:

Gary:  Allan Cooke
Ali: Rachel Rain Packota
Josh: Geoff Mays
Narrator: Olivia Jon
Maura: Shawn Devlin
Shelley: Lesley Ballantyne
Sarah: Jennifer Vallance

Get to know the writer:

 1. What is your TV SPEC screenplay about?

*This is an episode of the most beloved Transparent. The episode centers around Sarah and Len having people over for Purim while Ally, Josh and Maura attempt to have a garage sale to sell Maura’s old possessions.

2. How does this episode fit into the context of the rest of the series?

*I foresaw this episode being at the beginning of Season 3, as Sarah is fighting to get involved in the Temple.

3. How would you describe this script in two words?

Dysfunctional and Endearing.

4. What TV show do you keep watching over and over again?

Several. Transparent, FRIENDS, New Girl, GIRLS and Top Chef: Just Desserts.

5. How long have you been working on this screenplay?

I had worked on it for 9 months from conception until the draft I sent in for consideration.

6. How many stories have you written?

I have written over 30 screenplays, many more plays, and I make up stories in head about every 3 seconds.

7. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Tough one. I think “Learn to Fly” by The Foo Fighters is the song I ALWAYS come back to.

8. What obstacles did you face to finish this screenplay?

I am absolutely terrible with spelling and grammar. Terrible. So I always find polishing a script difficult without the outside eye of my production partner and my editor.

9. Apart from writing, what else are you passionate about?

Helping others, laughing, eating, and my little dog.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have been trying to continue to get my work to any and all audience, and a live reading seemed like a great way to do so. I have enjoyed working with wild sound and I think the feedback I received was apt and helpful.

11. Any advice or tips you’d like to pass on to other writers?

As a wonderful teacher of mine said ,” heart over big jokes,” Meaning, if every word you write is coming from the heart of the character, it WILL work. If the joke is not, it just becomes too hard.

AND DONT EVER GIVE UP. IT WILL BREAK BEFORE YOU DO.

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

January 2018 TV Pilot/Spec Screenplay Winners

ACTORTV SPEC Screenplay of RICK & MORTY TV Show
January 2018 Reading
by Daniel Richardson
ACTORTV Best Scene Screenplay – PEEL
January 2018 Reading
by Matthew Torti
ACTORTV Best Scene Screenplay – FUNNY FARM
January 2018 Reading
by Deshon Porter
ACTORTV Best Scene Screenplay – CELTIC BLOOD
January 2018 Reading
by Richard William Masterson
ACTORTV Best Scene Screenplay – NOVEMBER OF MY SOUL
January 2018 Reading
by Jack Trammell
ACTORTV Best Scene Screenplay – A MATTER OF BAD TASTE
January 2018 Reading
by Gene Gwynne
ACTORTV Best Scene Screenplay – CRUDE INVESTIGATIONS
January 2018 Reading
by Chris Roberts
ACTORTV Best Scene Screenplay – FUTRE TENSE
January 2018 Reading
by Kyle Williamson
ACTORTV Best Scene Screenplay – MOISH’S MOB
January 2018 Reading
by David R. Weinraub
ACTORTV Best Scene Screenplay – LASTVIEW
January 2018 Reading
by Taylor Johnson
ACTOR TV Best Scene Screenplay – ED’S DOOR AND WINDOW CO.
January 2018 Reading
by Parker Cross Jr.
ACTORTV Best Scene Screenplay – AMERICAN SCHOOL
January 2018 Reading
by Michael Hager

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of MINNIE NOIR, by Katie Grotzinger

CAST LIST:

NARRATOR: Becky Shrimpton
Minnie: Kate Varadi
Nick: Scott Beaudin
Dash: Merlin Simard
Ms. Kirkpatrick: Mahtab Sabet
Connor: Allan Brunet
Lincoln: Anthony Tran

Get to know the writer: 

What is your TV Pilot screenplay about?

Minnie Hughes is a hardboiled noir detective that also just so happens to also be the shortest girl in the fourth grade. When a candidate for class president’s show and tell South African ostrich egg goes missing, Minnie jumps on the case. Meanwhile, she also deals with her best friend Lincoln Park feeling under appreciated after she calls him her secretary and struggles with asking her crush, Vijay Sampat, a kind of male femme fatale, to be her dance partner for gym class.

Why should this screenplay be made into a TV show?

There are so many wonderful cartoons right now inspired by Japanese anime. They take joy in taking the viewer to strange lands and entertaining them with awesome action sequences. I think that’s great, but I also think there’s much to be mined from American genres like noir. Additionally, I think there’s room for quieter shows that embrace more what it’s like to be a kid. I think Hey Arnold and Recess both did that beautifully and I’d like to write something like that for kids growing up.

Most of all, Minnie is for every weirdo kid that finds solace into escaping into another world for one reason or another. For Minnie, it’s noir and her love of mystery comes from the fact that she never got to know her parents, so they’re the biggest mystery of all. If this show could make some kid feel less alone, that would the greatest honor.

How would you describe this script in two words?

Kid Noir

What TV show do you keep watching over and over again?

South Park!

How long have you been working on this screenplay?

Good question! This was actually my thesis project for my Screenwriting MFA at DePaul University in Chicago. I worked on this for a few semesters and now continue to tinker with it off and on.

How many stories have you written?

Quite a few! I try to write every day and have accumulated hundreds of false starts over the years. I have a handful of scripts I’m truly proud of.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’d say right now it’s “Something Beautiful” by Pansy Division.

What obstacles did you face to finish this screenplay?

I had a clear idea of the A story in mind from the get go, but my MFA thesis professor and classmates really challenged me to flesh out the B and C stories and I think the pilot is much stronger for it.

Apart from writing, what else are you passionate about?

I’m a total true crime geek. I regularly follow two true crime podcasts – The Last Podcast on the Left and My Favorite Murder. Both are absolutely fantastic. If I can’t think of anything to watch, I’ll turn on a cheesy serial killer documentary. Also, my favorite true crime book right now is The Yoga Store Murder: The Shocking True Account of the Lululemon Athletica Killing by Dan Morse.

Believe or not, my fascination with The Zodiac Killer actually made its way into an episode of Minnie Noir I’ve been writing – the Christmas special to boot! Nothing violent though, of course. Minnie just struggles to crack a mysterious, intensely complicated code from letters she’s received. (The code, naturally, is composed from stickers.)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Despite working and reworking on this pilot as much as I have, I still recognize that it could always be better. I have a big place in my heart for this story and I want to do anything I can to make it the best it can be, so feedback is a must.

And it’s funny! See, originally, I had two characters named Connor. This was for a couple of reasons. For one, when I was growing up, there was a year where we had three Connors to one class, all spelled the same way, only to be identified by the first initial of their last name. I also have a common name and there’s usually another Katie, so I empathized. It seems like such a staple of childhood. It was also a shoutout to shows I loved growing up like Ed, Edd n’ Eddy and the Ashleys from Recess where the same names are part of the camaraderie and comedy.

But I had gotten the note before that having two Connors was confusing. I finally made the change when I got the note from you guys! Thank you for finally getting me to change it.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been stellar! I’ve submitted a bunch of stuff through FilmFreeway and appreciate how easy it is to find specific contests for certain projects.

Any advice or tips you’d like to pass on to other writers?

I have difficulty finishing scripts unless I have someone to bounce ideas off of. Having a community of writers, or even just one friend, to get feedback from makes scripts come together so much easier and better than they would be in just the isolated writer bubble we all sometimes fall into. Also, watch episodes or read scripts similar to what you’re going for. It’s not only fun, but it’ll give you some inspiration.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV SPEC Screenplay – BETTER CALL SAUL, by Jimmy Prosser

Genre: Crime, Drama

Suspended lawyer Jimmy McGill endures community service at a high school where he meets an accused teen, while Mike searches for the distributor of Cheese, a popular new drug.

Narrator: Val Cole
Jimmy: Noah Casey
Mike: David Schaap
Bobby/Nacho: Gabriel Darku
Talbot/Hector: Neil Bennett
Secretary: Clare Blackwood
Kim: Lauren Toffan

Get to know the writer:

What is your TV Spec screenplay about?

The logline is “Suspended lawyer Jimmy McGill endures community service at a high school where he meets an accused teen, while Mike searches for the distributor of Cheese, a popular new drug.” Going deeper, this episode provides viewers a better understanding of why Jimmy McGill cares about his clients, and particularly those over their head and in situations they did not anticipate. In a flashback, we see teen Jimmy (along with young buddy Marco) devising a clever money making scam but abandoned by older brother Chuck once caught. In present day, Jimmy identifies too closely with an accused teen as he struggles to find a way to defend him. We also learn more about the Hector/Gus rivalry as they make moves to expand from meth to a new heroin derivative that became very hot in this time frame.

How does this episode fit into the context of the TV series?

“QUESO” would be Episode 26 ½ (during Season 3 between episodes 6/7) and opens on Jimmy’s first attempt to satisfy his community service requirements following his suspension by the New Mexico Bar Association.

How would you describe this script in two words?

Achilles heal

What TV show do you keep watching over and over again?

The show I’ve watched repeatedly over the years is “It’s Always Sunny in Philadelphia.” Each of the characters are perfectly drawn and I admire the writers’ willingness to really push boundaries. However, the show that I currently admire most is “Black Mirror.” I have been focusing on one-hour drama and, as I work on my own pilot and series bible, the tone and structure of “Black Mirror” is what keeps coming to mind. If I could write for one show, it’s “Black Mirror.”

How long have you been working on this screenplay?

I will be graduating in a few months from New York University’s (NYU), Tisch School of the Arts, where I study Dramatic Writing and Producing in the Maurice Kanbar Institute of Film and Television. I’ve written plays, screenplays and sitcoms, but this script, QUESO, is my first one hour drama spec, which I wrote over 12 weeks this past summer.

How many stories have you written?

I’ve always liked to tell stories – but mostly orally to my family and friends. About 4 years ago, I began dramatic writing in earnest so over that time I must have written 20-30 short stories, plays, screenplays, sitcoms and now television drama scripts.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Being a kid growing up in San Diego during the 2000s, I have to say “I Miss You” by Blink-182.

What obstacles did you face to finish this screenplay?

I believe I’ve been able to capture the characters/dialogue and tone of “Better Call Saul” pretty well so the toughest part for me is to formulate the proper four act structure in a way that really communicates the right arc for the A, B and C stories.

Apart from writing, what else are you passionate about?

Music, definitely. My favorite escapes are listening to music alone or grabbing instruments to play with my buddies as loudly as we can. When I write, a soundtrack always is in my head.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As I mentioned before, I’ve written a lot but this is my first drama spec so I was anxious to hear objective feedback. Some of the feedback I received was right on; some I think missed aspects of the script, especially when it comes to Jimmy’s motivation to help Bobby.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway has been great. My first experience with it was submitting a short screenplay, “NOTEWORTHY,” which won several festivals and is going to be shot in January. We hope to submit that completed short film to several of the best festivals next year via FilmFreeway because it is very easy to use.

Any advice or tips you’d like to pass on to other writers?

As painful as it is, I feel that you must create a full beat sheet before trying to write the script! Once that solid outline is in place, the writing comes much easier. It is tempting to write a fun standalone scene as soon as you think of it, but if you don’t have your structure in place you may find yourself spending too much time trying to wedge that scene into the overall story. 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

September 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 4 TV Screenplay Winners for September 2017:

ACTORTV SPEC Screenplay – QUANTICO Show
September 2017 Reading
by Leslie Lyshkob

ACTORTV SPEC Screenplay – BOJACK HORSEMAN show
September 2017 Reading
by Cameron Chapman

ACTORTV 1st Scene Screenplay – KODAK MOMENT
September 2017 Reading
by John Cruz Alarid

ACTORTV 1st Scene Screenplay – CELTIC BLOOD
September 2017 Reading
by Richard William Masterson

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox