TV Best Scene Reading of 2020 A.D. by Mike W. Rogers

A newly elected President and his executive staff are abducted by the Area 51 Spacecraft and tasked with convincing six mythical women, to help stop an ancient alien bent on reclaiming the planet Earth.

CAST LIST:

Narrator: Mandy May Cheetham
Bill: Liam Kinahan
Campbell: John Leung

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

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TV 1st Scene Reading of Jillian And The Sharks: A Dramedy with Music by Josephine Perry

 

A conflicted professor desperate to hide her lifestyle from her Jehovah’s Witness family faces her fears when she begins proceedings to gain custody of her bi-racial brother and sister, emotionally abused by her mother. With outrageous musical numbers, Big Love Meets Community…all based on real events.

CAST LIST: 

Mr. Bismark:   Geoff Mays
Narrator: 
Kat Smiley
Jillian: 
Dana Thody
Mrs. Bismark: 
Katelyn Vanier

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Winning TV Screenplays for July 2018

Watch readings of the winning screenplays performed by professional actors:

 

ACTORWinning TV PILOT: THE TEMPS by Julia Montanez

 

Submit your TV Show/Pilot via FilmFreeway:

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

Winning TV Screenplays for May 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORGALAPAGOS – TV Screenplay
May 2018 Reading
by Lukas Hassel

ACTORREMOTELY WORKING – Comedy TV Screenplay
May 2018 Reading
by Bill Baber

ACTORMY MOTHER MURDERED MY FATHER – 1st Scene TV Screenplay
May 2018 Reading

ACTORTIME SLIP – Best Scene TV Screenplay
May 2018 Reading
by Meredith Hill

ACTORTWEED – Best Scene TV Screenplay
May 2018 Reading
by Christopher SCott McClure Phd.

ACTORDELIVER ME PIZZARIE – Best TV Screenplay
May 2018 Reading
by Anne Luong

ACTORPAYCHECK 2 PAYCHECK – Best Scene TV Screenplay
May 2018 Reading
by Chris Skeeter

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV PILOT SCI-FI – GALAPAGOS, by by Lukas Hassel

 

Genre: Sci-Fi, Adventure

It’s year 2437. 3000 meters under the icy crust of earth, the last remaining pocket of humanity struggles to answer the question: Is life for the sake of living any life at all?Extinction is the rule. Survival, the exception.

CAST LIST:

Red: Lara Amersey
Charlotte: Jane Smythe
Captain: Rais Moui
Narrator: Hugh Ritchie
Dan: Scott McCulloch
Bram: Tim Paul McCarthy
Laura: Georgia Grant
Ash: Alicia Payne

Get to know the writer:

1. What is your TV Pilot screenplay about?

What happens inside and outside Station Galápagos is a harsh examination of the things we don’t understand and the things we refuse to understand; the leaps of faith we take; the tough choices we are forced to make; and the fine points that can make our existence worthwhile.

It tries to answer the question: is hope for good or for bad?

2. Why should this screenplay be made into a TV show?

This show contains a darkness I have not yet seen on TV. This will not be about sfx and pretty people, but real conflicts and characters in extreme situations. Galápagos would be able to shine a light on a future that could very well become a reality.

3. How would you describe this script in two words?

Dark. Uncompromising.

4. What TV show do you keep watching over and over again?

I don’t watch much TV, but i did enjoy Black Mirror.

5. How long have you been working on this screenplay?

This was originally a screenplay I wrote 5 years ago. Took me a year. The toughest script to date I have written. I always felt it would make a great TV show, and so adapted parts of the screenplay into a TV pilot to learn the format better. The pilot adaptation took another 4 months.

6. How many stories have you written?

I have written 6 screenplays (4 of which I’m really happy with), 2 short screenplays (both made into succesful short films – “Into the Dark” and “The Son, the Father…”), and TV pilot.

7. What is your favorite song? (Or, what song have you listened to the most times in your life?)

“One More Kiss, Dear” from Blade Runner

8. What obstacles did you face to finish this screenplay?

Not having written for TV before – spending a lot of time understanding the structure of a feature film screenplay – I had to adapt my format and technique to fit a different medium. I learned a lot about the differences in the media.

9. Apart from writing, what else are you passionate about?

Staying present, being kind, standing up for myself, owning my strengths and weaknesses, fighting injustice, highlighting ignorance, questioning manmade religion.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had been fortunate enough to have won before with a different script, and really enjoyed watching the reading (via youtube link). I knew it would be helpful to me. The positive feedback was extremely welcome at a time when i was doubting the strength of my material.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway is great. User friendly and easy.

12. Any advice or tips you’d like to pass on to other writers?

Locate writers who are better than you, and get feedback. Rewrites are essential. Don’t be afraid of sharing your work. The most common mistake I see with films out there on the festival circuit is that the script wasn’t ready. It was not fully developed/thought through. Never think your script can’t improve.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Winning TV Screenplays for March 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORTV SPEC Screenplay of the show TRANSPARENT
March 2018 Reading
by Marisaa Lessman
ACTORTV 1st Scene Screenplay – JAKOB’S COVE
March 2018 Reading
by Travis Darkow
ACTORTV 1st Scene Screenplay – TOUCH
March 2018 Reading
by Robert Cox
ACTORTV Best Scene Screenplay – WHAT THE HELL
March 2018 Reading
by Melissa Willis

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV PILOT 1st Scene Script – JAKOB’S COVE, by Travis Darkow

 

Genre: Mystery, Sci-Fi, Suspense

A crazy mash up of The X-Files and Supernatural, but with more violence, old school noir detective movies like The Maltese Falcon, and the soundtrack style of Stranger Things or It Follows, 80’s synthesizer and all.

CAST LIST:

Narrator: Peter Nelson
Det. Jameson: Neil Bennett

Get to know the writer: 

 1. What is your TV Pilot screenplay about?

A seasoned detective is sent to a sleepy seaside town to investigate an increasing number of disappearances. As he digs into the town and the locals, he soon discovers that the reasons for these disappearances begin to point to the paranormal, and the seemingly quiet Jakob’s Cove is a mere facade for a much darker reality that brews within the town. Detective Jameson doesn’t learn it in the pilot, but the audience sees that Scarlett has some sort of “abilities” and turns out soon thereafter to be a witch. Scarlett along with two other witches, and a cloaked group of mysterious figures from the community known in secret as The Order of the Blood Raven control some sort of inter-dimensional rift that is a gateway to tangent realms where thought-to-be mythical creatures and monsters exist. The witches, in a pact with a family of vampires, are the ones taking the missing people, and sacrificing them to an overlord of these realms in exchange for power. The pilot sets up the horror/supernatural aspect, as well as introducing the main characters, all while leaving enough mystery as to what’s to come, that I think is really exciting.

2. Why should this screenplay be made into a TV show?

I truly believe this world I’ve begun to create would make a wonderfully strange canvas on which to paint a compelling horror/supernatural mystery tale. I have spent so many hundreds of hours working on developing Jakob’s Cove, not just as a script, but as a “real” place. Mainly for my own sake, I have worked out and outlined potentially where the entire show could go as a series, and I have found myself in some very interesting places creatively in doing so. I have outlined multiple seasons to see what types of obstacles our ragtag group of protagonists could face. Each season would present a new creature or two (werewolves, extraterrestrials etc.) that have been summoned through the space-time rift that lies in the crypts beneath the cemetery, that is controlled by the group of witches. I visualized Jakob’s Cove as a series that starts off strange and doesn’t let up. I imagine each episode as no nonsense, fast paced horror, mystery and suspense, always leaving the viewer craving the next episode, as Jameson transforms from stern detective to monster hunting badass who has to expel these beasts back into the void. I think this blend of supernatural horror, mystery, and everyday people becoming the heroes over this dark little town would be an intense, strange and satisfying watch for audiences to keep coming back to, as the possibilities of what could happen and where it could go are potentially limitless.

3. How would you describe this script in two words?

Cosmic and Frenetic

4. What TV show do you keep watching over and over again?

I am currently watching Sons of Anarchy for the third time now, I can’t get enough of Kurt Sutter’s writing and character development. I’ve seen Breaking Bad in it’s entirety three times so far, and Firefly I’ve seen probably five or six times now.

5. How long have you been working on this screenplay?

I originally outlined the overall idea for Jakob’s Cove 4 years ago, back then it was only going to be a short story, until I saw the potential for expanding this world. I wrote the first draft about 7 or 8 months ago, then sat on it for a while as I continued with the handful of other projects I’m working on. I wrote the 2nd draft maybe 4 months ago, and the 3rd and most current draft the very next day after receiving my feedback from you guys.

6. How many stories have you written?

I am constantly writing stories and outlining ideas for future projects. Currently I have 4 other screenplays I’m developing that range from a heist film, to a zombie-western, a horror-comedy and another horror movie. I have written and shot around 10 or so no budget short films since high school, and recently finished the script for another short film that I plan to shoot this summer. I have written 9 children’s books so far, and have another handful that I’m currently rotating between working on as well as trying to get them published. I also have a large collection of poetry I write, and about 5 other short stories I’m also working on.

7. What is your favorite song? (Or, what song have you listened to the most times in your life?)

It’s too hard to choose, so I would just have to say currently that it’s probably Misery by Creeper.

8. What obstacles did you face to finish this screenplay?

The biggest obstacle I think was that initially I started to visualize Jakob’s Cove as a short story, so when my wife threw out the idea of turning it into a television pilot I thought it was perfect, I just had to rework it a lot and expand a massive amount. From there I outlined where the entire series could potentially go as well as each season, and the story arcs of each character to better understand the world itself before tackling the pilot.

9. Apart from writing, what else are you passionate about?

I am very passionate about my wife Kelsey and our dog Jax. I love more than anything to spend time with them. Aside from that I love video games, as well as writing and creating music

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have always been passionate about writing from a very young age. After so many years of only getting to write in my spare time between working a job I have close to zero passion for, I put one thought into my head and made myself a promise. That promise was that I am not going to rest until my writing is how I support my family. I thought that the feedback I received was very insightful and I appreciated it greatly. It showed that my script was actually read and thought about, and it was definitely useful in how I approached the 3rd draft of my script.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I love FilmFreeway, I think it’s an extremely helpful tool for writers of any experience level. It’s very easy to search festivals that are specifically catered to what you’re looking for, and I love having all my screenwriting submissions available in one spot, it makes them much easier to manage.

12. Any advice or tips you’d like to pass on to other writers?

Any advice I would give to other writers would be to never ever give up, no matter how hard it seems to get your work seen, or how unrewarding it feels at times. If you were meant to write then you will find a way to just do it. Also, connecting with people and networking is crucial I believe. Get your work out there, keep writing, and never let anyone or anything deter you from what you love to do.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox