Adventure TV PILOT Logline of the Day: Dark Powder, by Eric Irizarry

PITCH:

ACTORTitle: Dark Powder

Written by: Eric Irizarry

Type: TV PILOT

Genre: Adventure

Logline: No guns. No oil. In an alternate history of the United States, three nations contest for power while facing a mythical threat from South America.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.

January 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for January 2017:

 

ACTORTV PILOT Screenplay – DOWN WITH THE BUREAUCRACY
January 2017 Reading
Written by Dimitry Pompee

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

ACTORFAN FICTION Screenplay – UNIVERSAL SAINT BATMAN
January 2017 Reading
Written by Nathan Trumbull

 

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Winning TV PILOT Reading of DOWN WITH THE BUREAUCRACY by Dimitry Pompée

Watch the January 2017 Winning TV PILOT Screenplay.

Best Scene from the screenplay DOWN WITH THE BUREAUCRACY Screenplay
Written by Dimitry Pompee

CAST LIST:

NARRATOR – Sean Ballantyne
NATHAN – Gabriel Darku
KAREN/PAULA – Val Cole
LUKE – Nick Wicht
MYLES – Charles Gordon
ALLIE/NORA – Shannon McNally
QUINN – Catherine D’Angelo
BARLOWE – David Straus

SYNOPSIS:

Genre: Comedy, Political

After being framed for treason and losing his job at a prestigious DC lobbying firm, an arrogant grad student finds himself forced to take an entry-level position at the second-worst federal agency in America.

 Get to know the writer:

What is your TV Pilot screenplay about?

My pilot, Down With The Bureaucracy, is about an arrogant graduate student named Nathan who is forced to take an entry-level position at the second-worst federal agency in America in order to keep his academic scholarship. While Nathan is hostile to all of his coworkers at first, he finds he must convince them to help him save his job when his spiteful manager tries to fire him on the first day.

Why should this screenplay be made into a TV show?

Aside from the fact that I think it would be a pretty funny show, I think there’s a huge audience for a sitcom about how ridiculous it can be working at the lower rungs of the federal government. We certainly have some amazing shows like Veep that mock the people in the corridors of power, but there are plenty of people in the lesser-known agencies who could use the same treatment.

At the same time, I also want to create a show that demonstrates the good that the federal workforce can do. Not only could this show derive material from the incompetence of the federal bureaucracy, it can show that there are plenty of talented and dedicated federal employees who are keeping this country afloat. I don’t know about you, but I can’t think of a better way to endear people to their government than through a show about a group of bumbling coworkers who occasionally manage to do a decent job. Well, aside from a civics class.

How would you describe this script in two words?

Utterly rewarding.

What TV show do you keep watching over and over again?

It’s only rounding out its second season, but I think I’ve watched every episode of NBC’s Superstore about seventeen times each. It’s an excellent example of how to use an ensemble cast full of absurd characters to create a compelling and hilarious sitcom. The same can be said of The Good Place, Brooklyn Nine-Nine, Community, Parks and Rec, 30 Rock, and all the other shows I find myself watching again and again.

How long have you been working on this screenplay?

I’ve been working on this one for about two years and a half now. I recently compared the first draft from May 2014 with this current draft, and while many of the core pieces remain intact, it is radically different than it used to be. Hopefully, it’s better too!

How many stories have you written?

This is a difficult question to answer, because I have several scripts in various stages of “completion.” I would say that I have four scripts in what you might call late-stage drafts, and many others that are in earlier stages of editing, drafting, outlining, or nascent, amorphous chaos.

What motivated you to write this screenplay?

When I was in grad school, I was also working full-time and I was very unhappy with my employment situation. I was bored and frustrated, and all of my job applications were met with silence, so I felt like I was stuck. I can’t even remember what the situation was, but one day, some nonsense happened at work and I said something to the effect of, “That is so stupid, it could be in a sitcom.” I started writing that very night. And I did end up leaving that job for something much better soon after, but not before taking extensive notes about working there that I’ve used in my pilot.

What obstacles did you face to finish this screenplay?

I don’t believe it’s done yet, but there have been some obstacles in getting it to this point. The most vexing obstacle for me was and remains developing a consistent writing habit, then sticking to it. I try do some writing during lunch at work, and then after coming home and foraging through the fridge for a somewhat healthy dinner, I write some more. Some days are better than others, but I figure as long as I can get SOMETHING down every day, I can count it as a success.

Apart from writing, what else are you passionate about?

Video games, a free and open internet, and naps. Pretty much anything I can do on my couch.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered the festival precisely because of the reputation of the feedback. It can be challenging to find sources for insightful feedback when you’re outside of an academic or professional setting, especially if you’re just starting out and you have no connections. Several friends of mine who had previously entered the festival told me that the feedback they received was incredibly helpful, and I absolutely agree. After digesting and utilizing the notes I received, I can say with utmost certainty that my script is leagues ahead of where it was before the festival.

Any advice or tips you’d like to pass on to other writers?

Many people have said this in much more insightful ways, but I’d advise other writers to always be open to receiving constructive feedback, and to seek it out specifically. It’s not easy hearing something you’ve been working on for a long time isn’t as good as you think it is, but receiving that type of criticism is essential to developing your skills as a writer. Don’t take it personally, don’t ignore it, and use it to improve your work.

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson


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2016 TV PILOT Winners (19)

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

ACTORTV PILOT – MIDLIFE CRISIS
December 2016 Reading
Written by Erica Barfield Peterson
ACTORTV PILOT BEST Scene Screenplay – ARMS OF MORPHEUS
November 2016 Reading
Written by John Christopher Thomas
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke
ACTORTV PILOT Screenplay: EMMETT IN PEOPLELAND
October 2016 Reading
Written by Larry Hankin
ACTORTV PILOT Screenplay: THE VISA
October 2016 Reading
Written by Conrad Haynes
ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus
ACTORTV PILOT Screenplay – DIGITAL NATIVES
August 2016 Reading
Written by Adam Preston
ACTORTV PILOT Screenplay – SURVEILLANCE
August 2016 Reading
Written by Chris Gebhardt & Jenn Russi
ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

December 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for December 2016:

 

ACTORTV PILOT – MIDLIFE CRISIS
December 2016 Reading
Written by Erica Barfield Peterson

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman

ACTORFAN FICTION Spec – HOW I MET YOUR MOTHER
December 2016 Reading
Written by Eugene Ramos

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

November 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 4 TV Screenplay Winners for November 2016:

 

ACTORFAN FICTION Screenplay – GILLIGAN’S ISLAND OF THE DEAD
November 2016 Reading
Written by Jerry Kokich

ACTORTV PILOT Screenplay – CHILDREN OF CHAOS
November 2016 Reading
Written by Kara Dueck

ACTORTV PILOT Screenplay – THE MYSTERIOUS LIFE OF MADELEINE
November 2016 Reading
Written by Eve Noel

ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

September 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for September 2016:

TV SPEC of MODERN FAMILY
Written by Chai Karve
Read 10 Questions with the writer

CAST LIST:

NARRATOR – Val Cole
ALEX – Mandy Magnan
PHIL/CAMERON – Devin Upham
JAY/MITCHELL – Neil Kulin
LILY/HALEY – Lauren Toffan
LUKE/MANNY – Scott Beaudin
CLAIRE/GLORIA – Katelyn Vanier

SYNOPSIS:

Genre: Comedy, Family

A plots: Alex tries to land an internship. Jay tries to learn technology. Haley tries to maintain a long-distance relationship. Mitchell tries to engage with Lily.

B plots: Gloria uses idioms to a fault. Claire and Phil jockey to help Alex. Luke offers sage relationship advice. Lily and Cameron are football bros.

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OLYMPUS RISING TV Pilot
Written by C M Landrus
Read 10 Questions with the writer

CAST LIST:

NARRATOR – Julian Ford
ASHER – Nick Hendrick Wicht
WILDHOFF – Sean Ballantyne
MICAH – Kheon Clarke
RYKER – Donald Molnar
DIANA – Alicia Payne
TEGAN – Katelyn Varadi

SYNOPSIS:

Genre: Fantasy, Sci-Fi, Adventure

The gods of Mt. Olympus awaken as human teenagers to struggle with the immortal bonds of kinship while reclaiming their rightful places as rulers of humankind.

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TREVOR AND EVOR Webseries Screenplay
Written by Sasha Siljanovic
Read 10 Questions with the writer

CAST LIST:

NARRATOR – Julian Ford
TREVOR – Nick Hendrick Wicht
EVOR – Kheon Clarke
STONER – Donald Molnar

SYNOPSIS:

Genre: Absurd, comedy, drama

TREVOR AND EVOR is about two stoner friends who set out to revolutionize the food home delivery industry and now have to navigate the stresses of running a small business while still trying to stay true to their original ideals. Their dream delivery job is taking over their lives…

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne