2017 TV PILOT Winners (19)

 

ACTORPSI-COM 5 TV PILOT
December 2017 Reading
by
ACTORMINNIE NOIR TV PILOT
December 2017 Reading
by Katie Grotzinger
ACTORFANTASY TV PILOT Screenplay – EIRE’S SONG
November 2017 Reading
by Kristen Nedopak
ACTORCRIME TV PILOT Screenplay – THE BIGGEST LITTLE
October 2017 Reading
by Craig Page
ACTORLGBT TV PILOT Screenplay – THE UPSIDE OF OVER
October 2017 Reading
by Dan Hass
ACTORBEST SCENE TV Screenplay – DARK HEROES
October 2017 Reading
by Peter Sims
ACTORTV 1st Scene Screenplay – KODAK MOMENT
September 2017 Reading
by John Cruz Alarid

ACTORTV 1st Scene Screenplay – CELTIC BLOOD
September 2017 Reading
by Richard William Masterson

ACTORSTUDENT TV PILOT Screenplay – EVERHART
August 2017 Reading
by K. Wayman Dodd

ACTORLGBT TV PILOT Screenplay – THE DISAPPEARANCE
August 2017 Reading
by Jess Harris Distefano

ACTORWESTERN TV PILOT Screenplay – SIRINGO
July 2017 Reading
by Nathan Ward

ACTORANIMATION TV PILOT Screenplay – CHICKEN COP
July 2017 Reading
by Bryan Cahill

ACTORFEMALE TV PILOT Screenplay – JUNKED
June 2017 Reading
by Alice Dennard

ACTORLGBT TV PILOT – FAUK MY LIFE
May 2017 Reading
by Stephanie Neroes

ACTORTV BEST Scene – INFINITY’S EDGE
May 2017 Reading
by Anthony M. Dionisio

ACTORFAN FICTION TV PILOT Screenplay – THE GHOST AND MRS. MUIR
April 2017 Reading
Written by Richard Mueller

ACTORTV PILOT Screenplay – WHEN THE WORLD WAS SQUARE
March 2017 Reading
Written by Irwin Greenstein

ACTORLGBT WEB SERIES Screenplay – LITTLE SISTA
March 2017 Reading
Written by Charmaine Bingwa

ACTORTV PILOT Screenplay – ECHOES OF BONNIEVILLE
February 2017 Reading
Written by Simon Schneider

 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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2017 TV SPEC Winners (11)

ACTORTV SPEC Screenplay of BETTER CALL SAUL
November 2017 Reading
by Jimmy Prosser

ACTORTV SPEC Screenplay – QUANTICO Show
September 2017 Reading
by Leslie Lyshkob

ACTORTV SPEC Screenplay – BOJACK HORSEMAN show
September 2017 Reading
by Cameron Chapman

ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson

ACTORFAN FICTION TV PILOT Screenplay – D FOR DEXTER
July 2017 Reading
by Jessi Thind

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt
ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORFAN FICTION Screenplay – POPEYE “SPINACH RUN”
February 2017 Reading
Written by Neil Chase

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

November 2017 TV Pilot/Spec Screenplay Winners

 

ACTORTV SPEC Screenplay of BETTER CALL SAUL
November 2017 Reading
by Jimmy Prosser
ACTORFANTASY TV PILOT Screenplay – EIRE’S SONG
November 2017 Reading
by Kristen Nedopak

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of PSI-COM 5, by Ed Vela

 

CAST LIST:

NARRATOR: Becky Shrimpton
Lynx: Merlin Simard
Lucien: Allan Brunet
Joselyn: Mahtab Sabet
Liticia: Kate Varadi
Titansor: Anthony Tran
Hadley: Scott Beaudin
Cho: Salma Dharsee

What is your TV Pilot screenplay about?

At a secret government facility, young psychics are being trained and their psychic gifts developed but when one group: Psi-Com 5, finds out about an enhancement program that is killing and maiming some of the younger less powerful psychics, while at the same time discovering a powerful young psychic on the outside being used as a pawn, they decide to try to escape the confines of the Clinic.

Why should this screenplay be made into a TV show?

Psi-Com 5 has at its core a few elements that make it very appealing for episodic television or platform viewing: it has well drawn characters relatable for who they are and who they aren’t, it has a basic “chase” plot element as PC5 works to stay hidden from society at large while staying one step ahead of the Clinic as they relentlessly pursue them, and it combines both a sci-fi and thriller element as it deals with both psychic powers and the danger of the pursuit.

How would you describe this script in two words?

Super Psychics.

What TV show do you keep watching over and over again?

Game of Thrones.

How long have you been working on this screenplay?

A few years.

How many stories have you written?

About 60, if you count stage plays, screenplays and teleplays.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

The Longest Time by Billy Joel.

What obstacles did you face to finish this screenplay?

Firstly, the framing device, it seemed natural once I realized that Lynx is such a acerbic character that if you didn’t know what he was thinking he wouldn’t be near as likeable as he ended up being, so I told it thru his eyes. Secondly, the age old dilemma in a pilot: making sure ask more questions than you answer.

Apart from writing, what else are you passionate about?

I love producing, directing and acting in my own short films, and web series. It offers me a creative smorgasbord.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As a TV pilot there aren’t that many festivals to enter a script like: Psi-Com 5, and this is the 1st contest I have entered it. I found the feedback thorough and helpful.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I find FilmFreeway a fantastic way to search, find and enter festivals all over the country and the world.

Any advice or tips you’d like to pass on to other writers?

If its not a story that you feel you have to write… Don’t write it. If you think it’s interesting… The audience will too.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning TV PILOT Reading of MINNIE NOIR, by Katie Grotzinger

CAST LIST:

NARRATOR: Becky Shrimpton
Minnie: Kate Varadi
Nick: Scott Beaudin
Dash: Merlin Simard
Ms. Kirkpatrick: Mahtab Sabet
Connor: Allan Brunet
Lincoln: Anthony Tran

Get to know the writer: 

What is your TV Pilot screenplay about?

Minnie Hughes is a hardboiled noir detective that also just so happens to also be the shortest girl in the fourth grade. When a candidate for class president’s show and tell South African ostrich egg goes missing, Minnie jumps on the case. Meanwhile, she also deals with her best friend Lincoln Park feeling under appreciated after she calls him her secretary and struggles with asking her crush, Vijay Sampat, a kind of male femme fatale, to be her dance partner for gym class.

Why should this screenplay be made into a TV show?

There are so many wonderful cartoons right now inspired by Japanese anime. They take joy in taking the viewer to strange lands and entertaining them with awesome action sequences. I think that’s great, but I also think there’s much to be mined from American genres like noir. Additionally, I think there’s room for quieter shows that embrace more what it’s like to be a kid. I think Hey Arnold and Recess both did that beautifully and I’d like to write something like that for kids growing up.

Most of all, Minnie is for every weirdo kid that finds solace into escaping into another world for one reason or another. For Minnie, it’s noir and her love of mystery comes from the fact that she never got to know her parents, so they’re the biggest mystery of all. If this show could make some kid feel less alone, that would the greatest honor.

How would you describe this script in two words?

Kid Noir

What TV show do you keep watching over and over again?

South Park!

How long have you been working on this screenplay?

Good question! This was actually my thesis project for my Screenwriting MFA at DePaul University in Chicago. I worked on this for a few semesters and now continue to tinker with it off and on.

How many stories have you written?

Quite a few! I try to write every day and have accumulated hundreds of false starts over the years. I have a handful of scripts I’m truly proud of.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’d say right now it’s “Something Beautiful” by Pansy Division.

What obstacles did you face to finish this screenplay?

I had a clear idea of the A story in mind from the get go, but my MFA thesis professor and classmates really challenged me to flesh out the B and C stories and I think the pilot is much stronger for it.

Apart from writing, what else are you passionate about?

I’m a total true crime geek. I regularly follow two true crime podcasts – The Last Podcast on the Left and My Favorite Murder. Both are absolutely fantastic. If I can’t think of anything to watch, I’ll turn on a cheesy serial killer documentary. Also, my favorite true crime book right now is The Yoga Store Murder: The Shocking True Account of the Lululemon Athletica Killing by Dan Morse.

Believe or not, my fascination with The Zodiac Killer actually made its way into an episode of Minnie Noir I’ve been writing – the Christmas special to boot! Nothing violent though, of course. Minnie just struggles to crack a mysterious, intensely complicated code from letters she’s received. (The code, naturally, is composed from stickers.)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Despite working and reworking on this pilot as much as I have, I still recognize that it could always be better. I have a big place in my heart for this story and I want to do anything I can to make it the best it can be, so feedback is a must.

And it’s funny! See, originally, I had two characters named Connor. This was for a couple of reasons. For one, when I was growing up, there was a year where we had three Connors to one class, all spelled the same way, only to be identified by the first initial of their last name. I also have a common name and there’s usually another Katie, so I empathized. It seems like such a staple of childhood. It was also a shoutout to shows I loved growing up like Ed, Edd n’ Eddy and the Ashleys from Recess where the same names are part of the camaraderie and comedy.

But I had gotten the note before that having two Connors was confusing. I finally made the change when I got the note from you guys! Thank you for finally getting me to change it.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been stellar! I’ve submitted a bunch of stuff through FilmFreeway and appreciate how easy it is to find specific contests for certain projects.

Any advice or tips you’d like to pass on to other writers?

I have difficulty finishing scripts unless I have someone to bounce ideas off of. Having a community of writers, or even just one friend, to get feedback from makes scripts come together so much easier and better than they would be in just the isolated writer bubble we all sometimes fall into. Also, watch episodes or read scripts similar to what you’re going for. It’s not only fun, but it’ll give you some inspiration.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

May 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for May 2017:

 

ACTORLGBT TV PILOT – FAUK MY LIFE
May 2017 Reading
by Stephanie Neroes

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

 

ACTORTV BEST Scene – INFINITY’S EDGE
May 2017 Reading
by Anthony M. Dionisio

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Winning TV PILOT Reading of DOWN WITH THE BUREAUCRACY by Dimitry Pompée

Watch the January 2017 Winning TV PILOT Screenplay.

Best Scene from the screenplay DOWN WITH THE BUREAUCRACY Screenplay
Written by Dimitry Pompee

CAST LIST:

NARRATOR – Sean Ballantyne
NATHAN – Gabriel Darku
KAREN/PAULA – Val Cole
LUKE – Nick Wicht
MYLES – Charles Gordon
ALLIE/NORA – Shannon McNally
QUINN – Catherine D’Angelo
BARLOWE – David Straus

SYNOPSIS:

Genre: Comedy, Political

After being framed for treason and losing his job at a prestigious DC lobbying firm, an arrogant grad student finds himself forced to take an entry-level position at the second-worst federal agency in America.

 Get to know the writer:

What is your TV Pilot screenplay about?

My pilot, Down With The Bureaucracy, is about an arrogant graduate student named Nathan who is forced to take an entry-level position at the second-worst federal agency in America in order to keep his academic scholarship. While Nathan is hostile to all of his coworkers at first, he finds he must convince them to help him save his job when his spiteful manager tries to fire him on the first day.

Why should this screenplay be made into a TV show?

Aside from the fact that I think it would be a pretty funny show, I think there’s a huge audience for a sitcom about how ridiculous it can be working at the lower rungs of the federal government. We certainly have some amazing shows like Veep that mock the people in the corridors of power, but there are plenty of people in the lesser-known agencies who could use the same treatment.

At the same time, I also want to create a show that demonstrates the good that the federal workforce can do. Not only could this show derive material from the incompetence of the federal bureaucracy, it can show that there are plenty of talented and dedicated federal employees who are keeping this country afloat. I don’t know about you, but I can’t think of a better way to endear people to their government than through a show about a group of bumbling coworkers who occasionally manage to do a decent job. Well, aside from a civics class.

How would you describe this script in two words?

Utterly rewarding.

What TV show do you keep watching over and over again?

It’s only rounding out its second season, but I think I’ve watched every episode of NBC’s Superstore about seventeen times each. It’s an excellent example of how to use an ensemble cast full of absurd characters to create a compelling and hilarious sitcom. The same can be said of The Good Place, Brooklyn Nine-Nine, Community, Parks and Rec, 30 Rock, and all the other shows I find myself watching again and again.

How long have you been working on this screenplay?

I’ve been working on this one for about two years and a half now. I recently compared the first draft from May 2014 with this current draft, and while many of the core pieces remain intact, it is radically different than it used to be. Hopefully, it’s better too!

How many stories have you written?

This is a difficult question to answer, because I have several scripts in various stages of “completion.” I would say that I have four scripts in what you might call late-stage drafts, and many others that are in earlier stages of editing, drafting, outlining, or nascent, amorphous chaos.

What motivated you to write this screenplay?

When I was in grad school, I was also working full-time and I was very unhappy with my employment situation. I was bored and frustrated, and all of my job applications were met with silence, so I felt like I was stuck. I can’t even remember what the situation was, but one day, some nonsense happened at work and I said something to the effect of, “That is so stupid, it could be in a sitcom.” I started writing that very night. And I did end up leaving that job for something much better soon after, but not before taking extensive notes about working there that I’ve used in my pilot.

What obstacles did you face to finish this screenplay?

I don’t believe it’s done yet, but there have been some obstacles in getting it to this point. The most vexing obstacle for me was and remains developing a consistent writing habit, then sticking to it. I try do some writing during lunch at work, and then after coming home and foraging through the fridge for a somewhat healthy dinner, I write some more. Some days are better than others, but I figure as long as I can get SOMETHING down every day, I can count it as a success.

Apart from writing, what else are you passionate about?

Video games, a free and open internet, and naps. Pretty much anything I can do on my couch.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered the festival precisely because of the reputation of the feedback. It can be challenging to find sources for insightful feedback when you’re outside of an academic or professional setting, especially if you’re just starting out and you have no connections. Several friends of mine who had previously entered the festival told me that the feedback they received was incredibly helpful, and I absolutely agree. After digesting and utilizing the notes I received, I can say with utmost certainty that my script is leagues ahead of where it was before the festival.

Any advice or tips you’d like to pass on to other writers?

Many people have said this in much more insightful ways, but I’d advise other writers to always be open to receiving constructive feedback, and to seek it out specifically. It’s not easy hearing something you’ve been working on for a long time isn’t as good as you think it is, but receiving that type of criticism is essential to developing your skills as a writer. Don’t take it personally, don’t ignore it, and use it to improve your work.

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson


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