Winning TV Screenplays for July 2018

Watch readings of the winning screenplays performed by professional actors:

 

ACTORWinning TV PILOT: THE TEMPS by Julia Montanez

 

Submit your TV Show/Pilot via FilmFreeway:

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

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Winning TV Screenplays for June 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORHEADCASE – TV PILOT Screenplay
June 2018 Reading
by Christopher K. Jones

 

ACTORTHE GLOBAL FUND – TV Best Scene Screenplay
June 2018 Reading
by Josep Colomer

 

ACTORTHE WRONG TICKET – TV CRIME Screenplay
June 2018 Reading
by John Ravitz

 
 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

June 26 2018 – TV Festival Testimonial

Shannon Harvey

Very well organized and well attended. We received valuable feedback from the diverse audience. The moderator was great and jump started their participation. I definitely recommend it for all creators and filmmakers!

Watch the Audience FEEDBACK Video of LEGAL FOX:

Winning TV Screenplays for May 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORGALAPAGOS – TV Screenplay
May 2018 Reading
by Lukas Hassel

ACTORREMOTELY WORKING – Comedy TV Screenplay
May 2018 Reading
by Bill Baber

ACTORMY MOTHER MURDERED MY FATHER – 1st Scene TV Screenplay
May 2018 Reading

ACTORTIME SLIP – Best Scene TV Screenplay
May 2018 Reading
by Meredith Hill

ACTORTWEED – Best Scene TV Screenplay
May 2018 Reading
by Christopher SCott McClure Phd.

ACTORDELIVER ME PIZZARIE – Best TV Screenplay
May 2018 Reading
by Anne Luong

ACTORPAYCHECK 2 PAYCHECK – Best Scene TV Screenplay
May 2018 Reading
by Chris Skeeter

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Operator: Mary Cox

TV Spec of TRANSPARENT “The Board Shorts”, by Marissa Lessman

 

Genre: Comedy, Drama

Maura is haunted by her old life as Josh and Ali set up a garage sale while Sarah and Shelley try to throw the perfect Purim party resulting in an unexpected outcome.

CAST LIST:

Gary:  Allan Cooke
Ali: Rachel Rain Packota
Josh: Geoff Mays
Narrator: Olivia Jon
Maura: Shawn Devlin
Shelley: Lesley Ballantyne
Sarah: Jennifer Vallance

Get to know the writer:

 1. What is your TV SPEC screenplay about?

*This is an episode of the most beloved Transparent. The episode centers around Sarah and Len having people over for Purim while Ally, Josh and Maura attempt to have a garage sale to sell Maura’s old possessions.

2. How does this episode fit into the context of the rest of the series?

*I foresaw this episode being at the beginning of Season 3, as Sarah is fighting to get involved in the Temple.

3. How would you describe this script in two words?

Dysfunctional and Endearing.

4. What TV show do you keep watching over and over again?

Several. Transparent, FRIENDS, New Girl, GIRLS and Top Chef: Just Desserts.

5. How long have you been working on this screenplay?

I had worked on it for 9 months from conception until the draft I sent in for consideration.

6. How many stories have you written?

I have written over 30 screenplays, many more plays, and I make up stories in head about every 3 seconds.

7. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Tough one. I think “Learn to Fly” by The Foo Fighters is the song I ALWAYS come back to.

8. What obstacles did you face to finish this screenplay?

I am absolutely terrible with spelling and grammar. Terrible. So I always find polishing a script difficult without the outside eye of my production partner and my editor.

9. Apart from writing, what else are you passionate about?

Helping others, laughing, eating, and my little dog.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have been trying to continue to get my work to any and all audience, and a live reading seemed like a great way to do so. I have enjoyed working with wild sound and I think the feedback I received was apt and helpful.

11. Any advice or tips you’d like to pass on to other writers?

As a wonderful teacher of mine said ,” heart over big jokes,” Meaning, if every word you write is coming from the heart of the character, it WILL work. If the joke is not, it just becomes too hard.

AND DONT EVER GIVE UP. IT WILL BREAK BEFORE YOU DO.

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

January 2018 TV Pilot/Spec Screenplay Winners

ACTORTV SPEC Screenplay of RICK & MORTY TV Show
January 2018 Reading
by Daniel Richardson
ACTORTV Best Scene Screenplay – PEEL
January 2018 Reading
by Matthew Torti
ACTORTV Best Scene Screenplay – FUNNY FARM
January 2018 Reading
by Deshon Porter
ACTORTV Best Scene Screenplay – CELTIC BLOOD
January 2018 Reading
by Richard William Masterson
ACTORTV Best Scene Screenplay – NOVEMBER OF MY SOUL
January 2018 Reading
by Jack Trammell
ACTORTV Best Scene Screenplay – A MATTER OF BAD TASTE
January 2018 Reading
by Gene Gwynne
ACTORTV Best Scene Screenplay – CRUDE INVESTIGATIONS
January 2018 Reading
by Chris Roberts
ACTORTV Best Scene Screenplay – FUTRE TENSE
January 2018 Reading
by Kyle Williamson
ACTORTV Best Scene Screenplay – MOISH’S MOB
January 2018 Reading
by David R. Weinraub
ACTORTV Best Scene Screenplay – LASTVIEW
January 2018 Reading
by Taylor Johnson
ACTOR TV Best Scene Screenplay – ED’S DOOR AND WINDOW CO.
January 2018 Reading
by Parker Cross Jr.
ACTORTV Best Scene Screenplay – AMERICAN SCHOOL
January 2018 Reading
by Michael Hager

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

TV SPEC Script Reading of RICK and MORTY TV Show, by Daniel Richardson

 

Genre: Comedy, Animation

After shooting Summer and Morty with a ray that forces them to spout their inner monologues, Rick takes Beth out on a space adventure for her birthday.

CAST LIST:
Narrator: Elizabeth Rose Morriss
Rick: Scott McCulloch
Morty: Gabriel Darku
Beth: Val Cole
Summer: Ali Chappell
Jerry: Peter-Mark Raphael

Get to know the writer:

What is your TV Pilot screenplay based on RICK AND MORTY about?

My speculative script for Rick and Morty is about developing a tangible relationship between Rick and Beth. The sub-plot focuses on gender roles and how people perceive them. I thought it was really fun to explore reactions to people speaking their mind as well as gender stereotypes through Morty and Summer’s schooling.

How does the episode fit into the context of the television show?

In the context of the show, this episode would fit somewhere in season 2. I wrote the screenplay whilst waiting for season 3 and it felt like a natural continuation of what preceded it. With the release of season 3 and the character changes that have already occurred, I’d now definitely place my screenplay as a season 2 episode.

How would you describe this script in two words?

Heaven Burning.

What TV show do you keep watching over and over again?

Bob’s Burgers is my favourite show to binge-watch. It reminds me of the wholesome, family oriented, comedy that was so successful in early episodes of The Simpsons (another show I have watched over and over again).

How long have you been working on this screenplay?

The original draft was written in around a month, when I wasn’t too busy with work. The re-drafts and edits took about two months because of a busy schedule. During that time, I’d spend a lot of time jotting down fresh thoughts for the show and tinkering with ideas.

How many stories have you written?

I have written around 9 television specs and pilots, some of which will never see the light of day (for good reason). In terms of stories, I have a lot of notes outlining beats in old notepads. I think it is always good to have a bunch of ideas to draw off, even if you leave parts of the story behind. The only problem is sifting through the bad ideas.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

My favourite song, by some margin, is Millencolin – ‘No Cigar’. It’s a great punk-rock song and was one of the first tracks that introduced me to the genre. I think the message of the song is fantastic and its support of diversity has made it a track that has grown in significance, for me personally, as the years have passed.

What obstacles did you face to finish this screenplay?

I found two big obstacles in writing this screenplay and they were time management and re-reading. Time management is pretty self explanatory, I wanted to give more time to the script than I had. The issue of re-reading your own work is that it’s quite an insular process and so I find myself growing tired of my own writing and questioning my jokes. During this time, it was really helpful to get friends to read the script and tell me what they liked/ disliked.

Apart from writing, what else are you passionate about?

I’m a big fan of music, particularly punk and metal. I feel these genres offer interesting ideological perspectives and also my joy of music introduced me to working with radio which was really gratifying. I also love soccer (or football as we call it here in the UK). Between football, music and writing I play video-games when I’m tired of being passionate for the day.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The main thing that influenced me to enter WILDsound’s festival was the fact that they gave feedback. So many competitions demand a large amount of money for feedback or give non at all, as someone who considers himself to be a developing writer, these kinds of competitions didn’t offer as much room for me to grow.

I always think feedback is incredibly useful, but it puts you on an emotional rollercoaster. Scripts take so long to put together, that you become reluctant to see its flaws. With that said, the feedback I received was very helpful. On my first effort, the script relied on meta humor rather than real motivation for the continuation of the story. I think this is a problem that the writers of Rick and Morty have now found in season 3.

Episodes like ‘Rickmancing the Stone’ and ‘Vindicators 3: The Return of Worldender’ both have moments where they outline the call to action or turn to the camera and skip to later in the story. These moments are too knowing and disrupt the story for a small comedic payoff. I like to think the final version of my screenplay avoided this disorientating style of humor and that’s thanks to the feedback I received.

Any advice or tips you’d like to pass on to other writers?

Buy a notepad, pester any literate friends you have to read your work and plan your stories thoroughly before you write. Also, collaborations can be really helpful for developing your skills and getting out of an insular writing space!

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox