January 2017 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for January 2017:

 

ACTORTV PILOT Screenplay – DOWN WITH THE BUREAUCRACY
January 2017 Reading
Written by Dimitry Pompee

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

ACTORFAN FICTION Screenplay – UNIVERSAL SAINT BATMAN
January 2017 Reading
Written by Nathan Trumbull

 

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

2016 TV SPEC Winners (13)

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman
ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve
ACTORTV SPEC Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan
ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORFan Fiction – DOCTOR WHO “The Time Cuckoo”
February 2016 Reading
Written by David Gilbank & Paul Renhard
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff

2016 TV PILOT Winners (19)

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

ACTORTV PILOT – MIDLIFE CRISIS
December 2016 Reading
Written by Erica Barfield Peterson
ACTORTV PILOT BEST Scene Screenplay – ARMS OF MORPHEUS
November 2016 Reading
Written by John Christopher Thomas
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke
ACTORTV PILOT Screenplay: EMMETT IN PEOPLELAND
October 2016 Reading
Written by Larry Hankin
ACTORTV PILOT Screenplay: THE VISA
October 2016 Reading
Written by Conrad Haynes
ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus
ACTORTV PILOT Screenplay – DIGITAL NATIVES
August 2016 Reading
Written by Adam Preston
ACTORTV PILOT Screenplay – SURVEILLANCE
August 2016 Reading
Written by Chris Gebhardt & Jenn Russi
ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

December 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for December 2016:

 

ACTORTV PILOT – MIDLIFE CRISIS
December 2016 Reading
Written by Erica Barfield Peterson

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman

ACTORFAN FICTION Spec – HOW I MET YOUR MOTHER
December 2016 Reading
Written by Eugene Ramos

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

November 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 4 TV Screenplay Winners for November 2016:

 

ACTORFAN FICTION Screenplay – GILLIGAN’S ISLAND OF THE DEAD
November 2016 Reading
Written by Jerry Kokich

ACTORTV PILOT Screenplay – CHILDREN OF CHAOS
November 2016 Reading
Written by Kara Dueck

ACTORTV PILOT Screenplay – THE MYSTERIOUS LIFE OF MADELEINE
November 2016 Reading
Written by Eve Noel

ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Winning TV PILOT Reading of THE MYSTERIOUS LIFE OF MADELEINE by Eve Noel

THE MYSTERIOUS LIFE OF MADELEINE TV Pilot
Written by Eve Noel
CAST LIST:

NARRATOR – Kelci Stephenson
JW – Julian Ford
EVELYN – Mallory Palmer
ANDREAS – Kheon Clarke
ABDUL – Hugh Ritchie

SYNOPSIS:

Genre: Adventure, Thriller, Fantasy, Horror

An archeologist finds out that she was born as a result of her mother’s encounter with a demon, which seeks to mate with her directly so that she bears a child from the demon as well.

Get to know the writer:

What is your TV Pilot screenplay about?

A woman’s surprising revelation about her past and her fight to save herself and humanity from a satanic Second Coming.

Why should this screenplay be made into a TV show?

The screenplay has long story lines and it can take you into Madeleine’s life after the revelation, into webs of future occurrences when Madeleine bears her own child, the rise of another Second Coming and the battles for the soul of earth with biblical implications.

How would you describe this script in two words?

Horror-Romance

What TV show do you keep watching over and over again?

Star Trek originals from 1960’s.

How long have you been working on this screenplay?

I worked on the screenplay for approximately one year.

How many stories have you written?

I have written four features and four shorts. The first script was titled The Outcasts which received a quarter-finalist status with the We Screenplay Intl’ Competition. The second script was titled Dangerous Triangle, which was a finalist in the Massiff (Massachusetts Int’ Film Festival), a 4th place finish in the Indie Gathering Festival, and a finalist in the Neo Noir Film Festival. In the shorts category, a screenplay titled The Secret was a finalist in the 2016 Artists Alliance Short Screenplay Comp., and a screenplay titled Love in a Dungeon, received a finalist award in the Courier Award 2015.

What motivated you to write this screenplay?

As a teenager, I was always fascinated with movies like the Wolfman with Lon Chaney, vampire movies with Bela Lugosi, Frankenstein movies, Star Trek and all other forms of thriller and sci-fi adventures.

What obstacles did you face to finish this screenplay?

I have come to face obstacles with all my scripts I have written. The obstacles are the re-writes which constantly change the direction of the scripts.

Apart from writing, what else are you passionate about?

My other passions are few. Watching the politics on television has hijacked my life and has consumed my everyday life, as I am very passionate about the direction that this country will travel.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The initial feedback opened my eyes as to how my writing skills needed major improvement. Being long-winded, the reviewer showed me the proper way to shorten my action descriptions into a more compact way, which I am able to use in my future writings.

The reason for entering the festival was to receive feedback to improve my writing skills.

Any advice or tips you’d like to pass on to other writers?

My advice: Never stop re-writing. It is a love of mine, not a chore.

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Matthew Toffolo: http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Winning TV PILOT Screenplay – WILLOWWOOD by Christopher Locke

Watch the October 2016 Winning TV PILOT Screenplay.

WILLOWWOOD TV Pilot
Written by Christopher Locke

SYNOPSIS:

Genre: Comedy, Fantasy, Drama

When two aimless slackers discover their entire reality is a TV show and they are merely background characters in a mediocre family sitcom, they attempt to inject some much needed conflict into the lives of the family in order to save the show (and their reality) from cancellation.

CAST LIST:

NARRATOR – Sean Ballantyne
JASMINE – Michelle Alexander
SHELDON – Brogan Caulfield
RUSS – Martin Huss
BARBARA – Viktoria Napoleonova
DERRICK – Michael Lake
WOMAN – Erynn Brook

Get to know the winning writer: 

What is your TV series about?

Former best friends, Jasmine and Sheldon, discover their entire reality is a TV show and that they are actually background characters in a family sitcom entitled Willowwood. Upon learning that the show is on the verge of being cancelled, they take it upon themselves to inject come conflict into the lives of the sitcom family, in order to boost the ratings to prevent the show (and their reality) from being cancelled.

Why should this screenplay be made into a TV show?

Because it is something that I have yet to see. While many television shows today could be described as “meta”, none are to the extent that this show has the potential to be. Toying with TV tropes, sitcom clichés and even employing both single camera and multi-camera formats, this show has the potential to be something that no one has ever seen before.

How would you describe this script in two words?

Meta Insanity.

What TV show do you keep watching over and over again?

Spongebob Squarepants. What else?

How long have you been working on this screenplay?

The idea has been floating around my head for the last two years, but only recently have I felt that I was able to fully develop the idea into a script.

How many stories have you written?

Somewhere between 10-15. Most are film treatments or ideas, while I have 3 or 4 other scripts either completed or in development

What motivated you to write this screenplay?

About a year and a half ago, I suffered from a condition called de-personalization. It is a symptom of anxiety that makes you feel as if your world isn’t real or you have no control over your actions or decisions. It is not dangerous, but very disturbing and can lead to more serious mental issues. That experience helped me develop the story in that, like the characters, I felt as if I had no control over my life and everything around me wasn’t real. Jasmine, even before learning her reality was a TV show, was worried that she had no control over where her life was going. Writing Jasmine and her ability to take control of her situation and her life was very therapeutic for me.

What obstacles did you face to finish this screenplay?

Constant writer’s block. I usually have the ideas in my head all day every day, but the writing occurs in 20-page writing sessions once every couple of months.

Apart from writing, what else are you passionate about?

I’ve played guitar for 12 years now. Performing as well as music in general.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Particularly the reading portion. Before, most of my writing existed in my head or in the heads of others. It is a completely different experience to have it read out loud, especially from a dialogue perspective.

Any advice or tips you’d like to pass on to other writers?

You know that crazy idea in your head that you know everyone else will think is stupid or has no marketability whatsoever?
Write it. Don’t settle for safe.

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne