TV PILOT 1st Scene Script – JAKOB’S COVE, by Travis Darkow

 

Genre: Mystery, Sci-Fi, Suspense

A crazy mash up of The X-Files and Supernatural, but with more violence, old school noir detective movies like The Maltese Falcon, and the soundtrack style of Stranger Things or It Follows, 80’s synthesizer and all.

CAST LIST:

Narrator: Carina Cojeen
Det. Jameson: Charles Gordon

Get to know the writer: 

 1. What is your screenplay about?

A seasoned detective is sent to a sleepy seaside town to investigate an increasing number of disappearances. As he digs into the town and the locals, he soon discovers that the reasons for these disappearances begin to point to the paranormal, and the seemingly quiet Jakob’s Cove is a mere facade for a much darker reality that brews within the town. Detective Jameson doesn’t learn it in the pilot, but the audience sees that Scarlett has some sort of “abilities” and turns out soon thereafter to be a witch. Scarlett along with two other witches, and a cloaked group of mysterious figures from the community known in secret as The Order of the Blood Raven control some sort of interdimensional rift that is a gateway to tangent realms where thought-to-be mythical creatures and monsters exist. The witches, in a pact with a family of vampires, are the ones taking the missing people, and sacrificing them to an overlord of these realms in exchange for power. The pilot sets up the horror/supernatural aspect, as well as introducing the main characters, all while leaving enough mystery as to what’s to come, that I think is really exciting.

2. What genres does your screenplay fall under?

I would say first and foremost it falls under Mystery/Horror, with elements of thriller and suspense, as well as some nods to old school detective movies, and bits of humor sprinkled throughout, mostly from Elliot, and even Jameson, albeit unintentionally.

3. Why should this screenplay be made into a movie?

I truly believe this world I’ve begun to create would make a wonderfully strange canvas on which to paint a compelling horror/supernatural mystery tale. I have spent so many hundreds of hours working on developing Jakob’s Cove, not just as a script, but as a “real” place. Mainly for my own sake, I have worked out and outlined potentially where the entire show could go as a series, and I have found myself in some very interesting places creatively in doing so. I have outlined multiple seasons to see what types of obstacles our ragtag group of protagonists could face. Each season would present a new creature or two (werewolves, extraterrestrials etc.) that have been summoned through the space-time rift that lies in the crypts beneath the cemetery, that is controlled by the group of witches. I visualized Jakob’s Cove as a series that starts off strange and doesn’t let up. I imagine each episode as no nonsense, fast paced horror, mystery and suspense, always leaving the viewer craving the next episode, as Jameson transforms from stern detective to monster hunting badass who has to expel these beasts back into the void. I think this blend of supernatural horror, mystery, and everyday people becoming the heroes over this dark little town would be an intense, strange and satisfying watch for audiences to keep coming back to, as the possibilities of what could happen and where it could go are potentially limitless.

4. How would you describe this script in two words?

Cosmic and frenetic

5. What movie have you seen the most times in your life?

It would probably be a close one between The Nightmare Before Christmas and The Sandlot.

6. How long have you been working on this screenplay?

I originally outlined the overall idea for Jakob’s Cove 3 years ago, back then it was only going to be a short story, until I saw the potential for expanding this world. I wrote the first draft about 7 or 8 months ago, then sat on it for a while as I continued with the handful of other projects I’m working on. I wrote the 2nd draft maybe 4 months ago, and the 3rd and most current draft the very next day after receiving my feedback from you guys.

7. How many stories have you written?

I am constantly writing stories and outlining ideas for future projects. Currently I have 4 other screenplays I’m developing that range from a heist film, to a zombie-western, a horror-comedy and another horror movie. I have written and shot around 10 or so no budget short films since high school, and recently finished the script for another short film that I plan to shoot this summer. I have written 9 children’s books so far, and have another handful that I’m currently rotating between working on as well as trying to get them published. I also have a large collection of poetry I write, and about 5 other short stories I’m also working on.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

It’s way too hard to pick just one favorite song, but close to the top of the list would have to be Everlong by Foo Fighters or any song by Angels and Airwaves.

9. What obstacles did you face to finish this screenplay?

The biggest obstacle I think was that initially I started to visualize Jakob’s Cove as a short story, so when my wife threw out the idea of turning it into a television format I thought it was perfect, I just had to rework it a lot and expand a massive amount. From there I outlined where the entire series could potentially go as well as each season, and the story arcs of each character to better understand the world itself before tackling the pilot. All that, and the longs hours spent hunched over on the hard dining room chair on the laptop.

10. Apart from writing, what else are you passionate about?

I am very passionate about my wife Kelsey and our dog Jax. I love more than anything to spend time with them. Aside from that I love video games, as well as writing and creating music.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I love FilmFreeway, I think it’s an extremely helpful tool for writers of any experience level. It’s very easy to search festivals that are specifically catered to what you’re looking for, and I love having all my screenwriting submissions available in one spot, it makes them much easier to manage.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have always been passionate about writing from a very young age. After so many years of only getting to write in my spare time between working a job I have close to zero passion for, I put one thought into my head and made myself a promise. That promise was that I am not going to rest until my writing is how I support my family. I thought that the feedback I received was very insightful and I appreciated it greatly. It showed that my script was actually read and thought about, and it was definitely useful in how I approached the 3rd draft of my script.

*****

Producer: Matthew Toffolo – http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

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TV SCI-FI BEST SCENE Reading of MORPH, by Christine Davis

Genre: Sci-Fi, Crime

Logline: “Morph” is a Sci-Fi story in which Jack Oberman is a Los Angeles homicide detective who gets captured by the killers he pursues, mad scientists who alter his DNA and turn him into a monster.

CAST LIST:
Narrator: Sean Ballantyne
Morty: Allan Michael Brunet
Jack: Nick Baillie

Get to know the writer:

 1. What is your screenplay about?

Morph is about a slightly bromantic pairing of two cops, one of whom is a former accountant from the East Coast. As LA homicide detectives, their first case brings them up against a mad scientist who captures Detective Jack Oberman and alters his DNA so he turns into a strange nonhuman but still vaguely recognizable creature. Reminiscent of the fun of Season 1’s Hawaii Five-O pairing of Steve and Danny, fused with the Bill Bixby/Lou Ferigno The Incredible Hulk TV show from the 1970s, Morph brings procedural cop television into the sci-fi/creature genre, creating opportunities for individual episode arcs and one single overarching goal for the protagonist: finding a cure that’ll keep him from turning into the monster he becomes, even as he has to keep his day job of being a cop, solving mysteries and saving lives. All with his somewhat annoying partner – the only other person who knows his secret (or so he thinks) – along for the ride.

2. What genres does your screenplay fall under?

Broadly, it’s Science Fiction. It could also be called Superhero Fiction because technically the creature Jack morphs into acts much like the Hulk, and is therefore an unwilling superhero. It’s a Crime Drama with a focus on being a Detective Story and could fit into any number of Fantasy sub-genres. In other words, this TV show has the potential to draw in a lot of viewers from a lot of different genres!

3. Why should this screenplay be made into a TV show?

Broad appeal. Superheroes are all the rage these days, you need only check out the numbers from Marvel and DC Comics offerings at the box office. In addition, procedurals such as the aforementioned Hawaii Five-O, NCIS, Criminal Minds and the multiple Law & Order and CSI spinoffs have proven that fans continue to have a huge appetite for episodic catch-the-bad-guy shows. There will also always be a large fan base for Creature Features. A lot of the Hammer Horror movies still have a rabid cult following, and bringing the heart into those in the way that Bixby’s David Banner/Hulk transformation did brings in a side to the audience you may not get if you go straight horror or hard-boiled detective. What I used to call “the CBS side of things.” 

4. How would you describe this script in two words?

Fresh, fun

5. What movie have you seen the most times in your life?

Setting aside Disney movies (it doesn’t count if you see a move nonstop because of your child viewing it repeatedly!), probably Star Trek II: The Wrath of Khan or White Christmas. It’s really a toss-up because if I get obsessed with something I will watch it repeatedly for a period of time and then suddenly I’ll be over it and move on to the next thing!

6. How long have you been working on this screenplay?

I worked on it for approximately six months, including heavy revisions after some feedback I received via a different screenplay competition.

7. How many stories have you written?

I have written hundreds of fan fiction stories, five completed screenplays and two original novel series. Never mind the ones I’ve written that haven’t yet seen the light of day. So a lot!

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Instrumental: A River Runs Through It by Yiruma; Vocal (general): The Sound of Silence by Disturbed; Vocal (romantic): Per Te by Josh Groban and Bound by Christina Aguilera; Pop: Thunder by Imagine Dragons

Sorry. I listen to a LOT of music and MANY different genres!

9. What obstacles did you face to finish this screenplay?

Morphing (ha-ha) what began as a work of fan fiction into a screenplay and a novel series. It’s not easy to go from a world your reader already knows to creating one out of whole cloth. I also had to weigh my own vision against some feedback that tried to veer it away from the slightly campy/comic book feel I purposely gave it. It’s not always easy to take a stance and stick to it because it’s what feels right versus what’s popular.

10. Apart from writing, what else are you passionate about?

My home, Oahu, Hawaii…specifically the Ko’olau Range and historic and ancient Hawaiian sites. Homeless pets and homeless people. Helping people learn how to help themselves and tackle their Overwhelm. My ImpCat, Ramses, who’s an insane feline.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I think it’s fantastic. Had no troubles whatsoever. It’s nice having so much in one place like that.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’ve entered before with other screenplays, but I don’t think I’d ever entered a logline competition. I wanted to give it a try because I thought I had a really good logline for this TV pilot! In spite of that self-assuredness, I actually am thrilled and quite surprised that I made the top twenty! Thank you!

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

HORROR 1st Scene Script Reading of Red Light, by Dempsey Tillman and Ted Dewberry

Los Angeles feedback film festival

Genre: Horror, Sci-Fi

A slacker husband (with a child on the way) gets a rude awakening when aliens invade his home and target his family.

CAST LIST: 
Narrator: Carina Cojeen
Miriam: Carly Tisdall
Aaron: Christopher Huron
Cork: David Occhipinti
Bluetooth: Alicia Ryan

Get to know the writer:

 1. What is your screenplay about?

Our screenplay RED LIGHT is about a slacker husband with a child on the way who has to save his family from aliens that invade his home and target his family.

2. What genres does your screenplay fall under?

RED LIGHT is a Horror film.

2. Why should this screenplay be made into a movie?

RED LIGHT should be made into a movie because unlike any other alien abduction film ,this story is based on an actual video recorded by a man who was abducted by aliens in this bedroom in 2012. His video is real and…

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January 2018 TV Pilot/Spec Screenplay Winners

ACTORTV SPEC Screenplay of RICK & MORTY TV Show
January 2018 Reading
by Daniel Richardson
ACTORTV Best Scene Screenplay – PEEL
January 2018 Reading
by Matthew Torti
ACTORTV Best Scene Screenplay – FUNNY FARM
January 2018 Reading
by Deshon Porter
ACTORTV Best Scene Screenplay – CELTIC BLOOD
January 2018 Reading
by Richard William Masterson
ACTORTV Best Scene Screenplay – NOVEMBER OF MY SOUL
January 2018 Reading
by Jack Trammell
ACTORTV Best Scene Screenplay – A MATTER OF BAD TASTE
January 2018 Reading
by Gene Gwynne
ACTORTV Best Scene Screenplay – CRUDE INVESTIGATIONS
January 2018 Reading
by Chris Roberts
ACTORTV Best Scene Screenplay – FUTRE TENSE
January 2018 Reading
by Kyle Williamson
ACTORTV Best Scene Screenplay – MOISH’S MOB
January 2018 Reading
by David R. Weinraub
ACTORTV Best Scene Screenplay – LASTVIEW
January 2018 Reading
by Taylor Johnson
ACTOR TV Best Scene Screenplay – ED’S DOOR AND WINDOW CO.
January 2018 Reading
by Parker Cross Jr.
ACTORTV Best Scene Screenplay – AMERICAN SCHOOL
January 2018 Reading
by Michael Hager

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

TV COMEDY BEST SCENE Reading of AMERICAN SCHOOL, by Michael Hager

Genre: Comedy, Sitcom

A fish out of water comedy whereby two expats cope with bugs and perils and other misfits while living in Latin America and working in a private school run by a bipolar-ish principal.

CAST LIST:
Narrator: Elizabeth Rose Morriss
Matt Goddard: Peter-Mark Raphael
Pete Sanderson: Scott McCulloch
Gladys Sanderson: Val Cole
Sarah Goddard: Ali Chappell

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

TV COMEDY BEST SCENE Reading of ED’S DOOR & WINDOW CO , by Parker Cross Jr.

Genre: Comedy

When a small business owner dies without any heirs, the employees decide to keep running the company. Unfortunately, they’re all either defective, dangerous or despicable. Why would a dying man ever force these horrible people to work together?

CAST LIST:
Narrator: Val Cole
Watermelon Ellen: Elizabeth Rose Morriss
Jesus: Peter-Mark Raphael
De Sean: Gabriel Darku
Laura: Ali Chappell
Heil: Scott McCulloch

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

TV CRIME BEST SCENE Reading of LASTVIEW, by Candace Taylor Johnson

Genre: Crime Fiction

Lastview is a Crime Fiction in which a former police officer who witnesses the past events of dishonesty, war, love and loss of her former partner at a mystifying crime scene. She struggles to forget the vision and must gain control of her new position as the Warden of a Prison called Lastview.

CAST LIST:
Narrator: Val Cole
Tasha: Elizabeth Rose Morriss
Wills: Peter-Mark Raphael
Thomas: Scott McCulloch
Teal: Ali Chappell
Oren: Gabriel Darku

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox