TV PILOT Winning Reading – The Spectral City by Arthur Vincie

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the TV Pilot Screenplay Winner for July 2016:

The Spectral City by Arthur Vincie

SYNOPSIS:

Genre: Sci-Fi, War, Supernatural

Three refugees, thrown together by chance, flee a modern-day civil war set in an unspecified country. Evading the army, rebels, bandits, gods, and demons, they head to the one place no one dares go to the Haunted City at the heart of the country. There they seek out the White Witch, who rules the City and who’s either their ticket out or their worst nightmare.

CAST LIST:

NARRATOR – Susan Wilson
JULIET – Courtney Keir
ISHMAEL – Brandon Knox
THEO/MATTHEW – Julian Ford
STEVEN/ADJAI – Sean Ballantyne
JIM – David Guthrie
NURIYAH – Meghan Allen

Get to know the winning writer:

1. What is your TV Pilot screenplay about?

“The Spectral City” is a war/supernatural story, about six refugees trying to flee a modern-day civil war. Thrown together by chance, and pursued by the army, rebels, bandits, monsters, and gods, they head for the one place no one dares go – the Haunted City in the heart of the country. Will it be the key to their salvation, or the beginning of an even worse fate?

2. Why should this screenplay be made into a TV show?

“The Spectral City” is about the people who are usually left out of war stories – the civilians. By focusing on their struggles for survival, redemption, and healing, we can avoid the usual war story cliches. It’s about ordinary people finding extraordinary grit in the face of adversity. By combining the war and supernatural/horror genres, the story brings out the inner as well as outer conflicts of the characters. This keeps the scale human-sized while also delivering an epic tale. The story aims to humanize refugees and those who are caught in the gears of war.

3. How would you describe this script in two words?

Surviving warfare

4. What TV show do you keep watching over and over again?

“Firefly” for its imaginative use of dialog, its balance of humor, and its blending of genres.

5. How long have you been working on this screenplay?

Two years.

6. How many stories have you written?

In addition to “Spectral City,” I’ve written several spec scripts, and wrote and directed two features, “Caleb’s Door” and “Found In Time.” I’m currently writing and directing a webseries, “Three Trembling Cities.”

7. What motivated you to write this screenplay?

I was interested in exploring the stories of people who’ve been caught up in civil wars. I was “inspired” by the stories of the child soldiers who were conscripted into both sides of the Sierra Leone civil war. Later I read up on the civilians who fled or who are currently fleeing the wars in Mali, Sudan, Libya, Georgia, Central African Republic, Eritrea, Syria, the border wars in Assam (India), and other recent (and in some cases ongoing) conflicts.

I also wanted to write something a little more grounded in “reality” (my last project was a sci-fi film, “Found In Time.”)

8. What obstacles did you face to finish this screenplay?

Finding the right balance between natural and supernatural elements. The supernatural part of the story reflects how people fall back into superstition when confronted with extreme chaos (soldiers are extremely superstitious). I also wanted the country depicted in the story to be a “blend” of real-world places and cultures, so that it felt alive and complex; but I didn’t want the reader to pin the country to a specific location.

9. Apart from writing, what else are you passionate about?

Directing, still photography, reading. I’m a science and history nerd. I’m a closet drummer.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I thought the festival was a good fit for the material, and I was excited at the prospect of having the project read aloud. I thought the initial feedback was terrific and it helped me quite a bit.

11. Any advice or tips you’d like to pass on to other writers?

Your first script (and maybe the one after that) is probably going to suck, but that’s okay – you have to learn to crawl before you can walk. It’s all about practice, and developing a discipline of some kind, so that you’re always writing, rewriting, researching, or recharging (so you can write again).

Don’t get too bogged down in details that you can work out later. Don’t get obsessed with perfection. Those are great ways to keep from ever finishing a draft.

It’s good to get a basic grasp of screenplay formatting and structure, and outlining is helpful, but memorable characters make or break the script. Don’t be afraid of not knowing where a scene is going – sometimes the best stuff comes up when you’re in a corner and you don’t know what you’re supposed to write next.

Jealousy, anxiety, dissatisfaction, and outrage can be your best friends as long as they don’t cripple you. Those “negative” emotions can keep you at the keyboard typing away or rewriting.

Find creative partnerships (with actors, producers, directors, other writers) – it’s too hard to go it alone in this field. These folks can give you honest feedback, help you get things off the ground, support you when you’re down. And you’ll do the same for them.

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

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TWO EMPERORS, Best Scene TV PILOT Reading by Paul Gross

The six-part miniseries traces the parallel lives of Beethoven and Napoleon, their formative years, their loves, their interrelationships via music and their passages to their final years.

Watch the Best Scene Reading of TWO EMPERORS:

CAST LIST:

NARRATOR – Amaka Umeh
LUDWIG – Isaac Alfie
NEEFE – Julian Ford

Get to know the writer Paul Gross:

Matthew Toffolo: What is your TV Pilot screenplay about?

Paul: The six-part miniseries traces the parallel lives of Beethoven and Napoleon, their formative years, their loves, their interrelationships via music and their passages to their final years. 

Matthew: Why should this screenplay be made into a TV show?

Paul: The two lives have been the subject of many feature films and TV productions. This is the first six-part series that attempts to link their lives in a dramatic fashion. It is also the first to show the genius of the two men, their flaws and their attempts to deal with love and adversity.

Matthew:  This story has a lot going for it. How would you describe this script in two words?

Paul: Scrutinising greatness.

Matthew:  What TV show do you keep watching over and over again?

Paul: House of Cards

Matthew: This is  a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

Paul: Two years

Matthew:  How many stories have you written?

Paul: Four books, one feature screenplay, one TV miniseries, one thriller.

Matthew:  What motivated you to write this screenplay? 

Paul: The music of a flawed genius, the flaws of a powerful ruler and the possibility that they might have met and liked one another fleetingly.

Matthew:  What obstacles did you face to finish this screenplay? 

Paul: Converting  dry accounts of two histories into a drama that reveals motivations, passions and tragedies.

Matthew: Apart from writing, what else are you passionate about? 

Paul: Classical music

Matthew:  What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Paul: I like competition and I am very happy with all feedback, particularly negatives that I can turn into a better script.

The feedback in this festival was valid and had the desired impact as the revised script is now short-listed in four festivals or competitions

Matthew: Any advice or tips you’d like to pass on to other writers? 

Paul: Scriptwriting is hard, even when you love it.

Stepping back from many beloved drafts and ditching them is the price of acceptance by those who read them.

Producer/Director – Matthew Toffolo
Casting Director – Sean Ballantyne
Editor – John Johnson

 

 

 

Watch the August 2015 Winning TV PILOT Script Reading. Submit your own PILOT by August 15th.

Watch the August 2015 Winning TV PILOT Script Reading. Submit your own PILOT by August 15th.

Deadline August 15th: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch TV PILOT: WASHED UP
by Leila Ben Abdallah

SYNOPSIS:

Washed-Up is about an Arab-American actress, Lena Hadid, who finds fame as a sexy, three-breasted alien queen on a hit sci-fi show with a devoted cult following. When she leaves the show, she finds herself too typecast to ever work again. Out of money and options, Lena moves home to the suburbs of Washington D.C. to share a condo with her metrosexual Arab father, and her hip-hop producer younger brother. In between running a successful bar, chasing women and picking out a tie, Amir supports Lena as she rebuilds her confidence, while Adam’s success as the most popular hip-hop producer in Washington D.C. inspires her to reinvent her career and her life.

CAST LIST:

NARRATOR – Matthew Lawrence
LENA – Reetu Bambrah
BARRIE/AMIR – Julian Ford
ADAM – Vince Jerad
CONSTANCE/NADIA – Victoria Murdoch

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Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
https://tvfestival.org/2015/06/18/tv-screenplay-testimonials/