May 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 4 TV Screenplay Winners for May 2016:

WILDsound Announces its May 2016 Winning Feature Screenplays

Originally posted on WILDsound Festival:
Watch the 2 winning screenplays performed by professional actors at the festival. Each screenplay that gets submitted receives full feedback on their work.  #1 – Feature Screenplay – THE BOO May 2016 Reading Written by Scott McEntire https://www.youtube.com/watch?v=dVnJ8Y9WDiE SYNOPSIS: Genre: Thriller, Suspense, Horror, Drama Synopsis: Ronnie is a small-town sheriff in…

Watch the May 2016 Winning Screenplays & Novels

Originally posted on WILDsound Festival:
Watch the winning writing festival novels, stories, films, and screenplays for May 2016. Submit your script, film, or story to the festival. – Full Feedback. Get film showcased at FEEDBACK Film Festival. Get script/stories performed by professional actors. Watch Recent Winning Readings Feature Screenplay – THE BOO May 2016 ReadingWritten…

Press Release – RSVP Feedback Film Fest – Double Festival! (Best of Documentary) Thursday May 26th. 7pm. Free or PWYL

Originally posted on WILDsound Festival:
SPECIAL EVENT: Featuring the best of Documentary Short Films from around the world. Films from USA, Canada, Netherlands, Jordan, UK, Italy, and Argentina. Due to the surplus of the amazing documentary shorts made in the last year, we are doing a double festival night. Thursday May 26th event. Carlton Cinemas,…

May 15, 2016 – Writing Festival Details

Originally posted on WILDsound Festival:
This week’s Writing Festival is a showcase of the winning Horror Feature Screenplay, plus the winning short script (also a horror) and 4 best scene screenplays. They will be performed by some of the top actors working in Toronto today. Here are the details of the screenplays being performed: #1…

TV PILOT Reading: SMITHEREENS by Hershel D. Rephun

1. What is your TV screenplay about?

SMITHEREENS is about freedom of choice and the fact that sometimes we have to reboot and consider another path. In the case of Harry Doe, the reboot comes in the form of amnesia. Faced with pieces of a troubling past, and an uncertain future, he gets to choose the kind of man he wants to be.

2. How should this Pilot be made into a TV show?

With so much content out there, even greater respect must be paid to the viewer in order to win their time and attention. SMITHEREENS is fresh, thoughtful, funny and poignant. It challenges the creators, performers and the viewers, which is the best way to start that relationship.

3. How would you describe this script in two words?

Distinctive and entertaining.

4. What TV show do you keep watching over and over again?

Mad Men. I’m on my third viewing of the complete series now. Even with so much stuff to watch, I always come back to quality and depth.

5. How long have you been working on this screenplay?

In one form or another, I’ve been working on SMITHEREENS for three years at least. And the influences that have brought me to the project have been working on me since birth.

6. How many stories have you written?

I really don’t know. At least twenty screenplays, three of which have been produced as features. And I write stories every day in one form or another.

7. What motivated you to write this screenplay?

I was moved to explore my own personality, and my ability to convincingly mimic virtually any person or dialect. I don’t just do impressions or voices, I create and inhabit characters. I wanted to figure out why I use that in real life and not just onstage. Is it an escape mechanism? Do I not like who I am? What’s the line between talent and self-deception and fantasy?

8. What obstacles did you face to finish this screenplay?

The challenge was to set up the story so that it could play out over several seasons. With a feature, you need three solid acts. A TV series needs much more.

9. Apart from writing, what else are you passionate about?

My children and fighting climate change, which are related issues.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I loved the idea of the story being brought to life. I thought the feedback was wonderful. Very insightful and constructive!

11. Any advice or tips you’d like to pass on to other writers?

Finish what you start, even if it doesn’t meet your expectations. Writing fiction is not about setting and meeting goals, other than to start and finish a story. The story comes from your muse…and if you don’t respect it and follow through, the muse will move on to someone else.

TV PILOT Reading: THE REAPER REBELLION “AFTERLIFE” by Mark S MacDonald and Darsey Meredith

Eva, who may or may not be Eve from the Book of Genesis, inadvertently creates Death in the world by inciting her siblings and lover to eat the Divine Apple from the Tree of Life. It’s an interesting spin on the immortal story about how the humans lost paradise and incurred the wrath of God.

TV SPEC Reading: THE MINDY PROJECT “Culture Club” by Katie Bero

Public displays of praise and adulation. But mostly because I’m a big fan of feedback. It’s tough to look at something you’ve spent hours and hours writing and re-writing with a fresh eye. It’s so helpful to get an outside perspective and I got a great one from Wildsound.