January 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for January 2016:

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for January 2016:

TV PILOT – LACIE BIDWELL
Written by Jameel Khan

SYNOPSIS:

LACIE BIDWELL is about a girl who’s father created a zombie virus that killed thousands. It’s twelve years later and she’s in college and still has to deal with being the daughter of one of the most hated men in the world.

CAST LIST:

NARRATOR – Sean Ballantyne
LACIE – Elizabeth Owens Skidmore
CHALMERS – Nick Baillie
HOPE – Maya Woloszyn
JEFF/BEN – Jovan Kocic
DAVID/OMAR – Christopher Huron
SAITO – Mandy May Cheetham

TV PILOT – LIFE IN THE FAST LANE
Written by Debi Calabro

SYNOPSIS:

Life in the Fast Lane is about three very different families and how their involvement in the sport of horse racing brings them together.

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

TV SPEC – UNBREAKABLE KIMMY SCHMIDT
Written by Jen Turriff

SYNOPSIS:

In this spec of ‘Unbreakable Kimmy Schmidt,’ Kimmy quickly becomes addicted to an iPad game. As she discovers she unknowingly made in-app purchases, she has to find a creative way to pay her debts. Meanwhile, Titus battles his own obsession and Jacqueline struggles with her need to be accepted by Xan.

CAST LIST:

NARRATOR – Christopher Huron
KIMMY – Mandy May Cheetham
TITUS – Kaleb Alexander
JACQUELINE – Elizabeth Owens Skidmore
BUCKLEY – Jovan Kocic
SALES WOMAN – Maya Woloszyn

____

Director/Producer – Matthew Toffolo

Editor – John Johnson

Casting Director – Sean Ballantyne

 

 

 

TV PILOT Reading – LACIE BIDWELL by Jameel Khan

I really liked the idea of having a reading of the pilot. There is no substitute to hearing the words out loud. I plan to make several adjustments based on what I hear. As for the initial feedback, I thought it was solid. I don’t take one source of feedback at a time, but collect from several people and try to balance out personal tastes. Any piece of professional feedback is valuable to me.

Watch TV Pilot: LACIE BIDWELL:

CAST LIST:

NARRATOR – Sean Ballantyne
LACIE – Elizabeth Owens Skidmore
CHALMERS – Nick Baillie
HOPE – Maya Woloszyn
JEFF/BEN – Jovan Kocic
DAVID/OMAR – Christopher Huron
SAITO – Mandy May Cheetham

Get to know writer Jameel Khan:

Matthew Toffolo: What is your screenplay about?

Jameel Khan: It’s about a girl who’s father created a zombie virus that killed thousands. It’s twelve years later and she’s in college and still has to deal with being the daughter of one of the most hated men in the world. She tries to move on an live a relatively normal life. But when a mysterious USB drive shows up in her dorm room, she learns that her father may have been setup. Lacie must try to balance her college life while uncovering a mystery that leads her into a far more dangerous and stranger world than she ever imagined.

Matthew: Why should this screenplay be made into a TV show?

Jameel: There is a rich world with compelling characters allowing for long format storytelling. I believe the themes of identity and finding our place in this world are universal. And it’s just plain fun.

Matthew: How would you describe this script in two words?

Jameel: Mutant fun.

Matthew: What TV show(s) do you keep watching over and over again?

Jameel: Lost, Battlestar, Buffy, Parks and Rec, really so many. I might have a problem.

Matthew: How long have you been working on this screenplay?

Jameel: 3 months.

Matthew: How many stories have you written?

Jameel: Dozens if you count short stories.

Matthew: What motivated you to write this screenplay?

Jameel: The initial seed that compelled me was to tell a story of what it would be like to be the child of a Hitler, or any infamous bad guy.

Matthew: What obstacles did you face to finish this screenplay?

Jameel: My biggest obstacle is always the same. It’s the letting it go and releasing it out into the world. At some point you got to stop tinkering.

Matthew: Apart from writing, what else are you passionate about?

Jameel: Pretty much anything geek.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Jameel: I really liked the idea of having a reading of the pilot. There is no substitute to hearing the words out loud. I plan to make several adjustments based on what I hear. As for the initial feedback, I thought it was solid. I don’t take one source of feedback at a time, but collect from several people and try to balance out personal tastes. Any piece of professional feedback is valuable to me.

Matthew: Any advice or tips you’d like to pass on to other writers?

Jameel: Do the work.

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

TV SPEC Reading UNBREAKABLE KIMMY SCHMIDT by Jen Turriff

I think I found that the key to writing for “Unbreakable Kimmy Schmidt” is finding that balance between Kimmy as a naive, sort of unaware of how the world works, and Kimmy as the brave, independent woman that would take on a city like New York. There are two sides to her, I think you have to kind of balance the story in the same way. I like to think that I did that with the surface story of Kimmy becoming addicted to an iPad app and racking up a big bill of those in-app purchases, but beyond that, if you look a little deeper, there’s a bigger story about addiction and how easy it is for someone to fall into a bad habit. Again, there’s that balance.

UNBREAKABLE KIMMY SCHMIDT is the January 2016 winning TV Spec. Watch the table reading performed by professional actors.

TV SPEC: UNBREAKABLE KIMMY SCHMIDT
by Jen Turriff

CAST LIST:

NARRATOR – Christopher Huron
KIMMY – Mandy May Cheetham
TITUS – Kaleb Alexander
JACQUELINE – Elizabeth Owens Skidmore
BUCKLEY – Jovan Kocic
SALES WOMAN – Maya Woloszyn

 

Get to know writer Jen Turriff:

1. What is your screenplay on the Netflix show “Unbreakable Kimmy Schmidt” about?

Believe it or not, the idea of the spec of “Unbreakable Kimmy Schmidt” that I wrote, came from my experience with addiction to Peanut Butter M&Ms. It was a brief, but intense time in my life that caused me much anguish and inevitable weight gain. I always like to write from real life, after all, it’s what I know. So that’s why I chose to write about that particular experience; it was an innocent enough premise on the surface for Kimmy, with the ability to go much deeper.

The next step was figuring out how to translate my story into Kimmy’s. It took awhile, but I eventually found a way to make it work for a 30-something with the mindset of a preteen. In “Kimmy Gets Addicted!” Buckley shows Kimmy a gaming app on his iPad and she quickly becomes addicted. Unfortunately, she doesn’t realize she’s spending loads of money on in-app purchases – worse, it’s linked to Jacqueline’s account. Kimmy has to figure out a way to make the money and pay her back. That’s where Titus comes in, who is in the meantime on a quest to purchase the fur coat of his dreams at a consignment shop. The duo have to work together to achieve their goals.

2. Why does this screenplay fit into the context of the show?

I think I found that the key to writing for “Unbreakable Kimmy Schmidt” is finding that balance between Kimmy as a naive, sort of unaware of how the world works, and Kimmy as the brave, independent woman that would take on a city like New York. There are two sides to her, I think you have to kind of balance the story in the same way. I like to think that I did that with the surface story of Kimmy becoming addicted to an iPad app and racking up a big bill of those in-app purchases, but beyond that, if you look a little deeper, there’s a bigger story about addiction and how easy it is for someone to fall into a bad habit. Again, there’s that balance.

Also, I wrote it to fit into the first half of the first season sort of generically. It’s sort of got an ambiguous timeline, and at the same time uses all of the main characters in the show at that time.

3. How would you describe this script in two words?

(TWO WORDS? That’s impossible! It’s not going to be good…)

Kimmy’s addiction?

4. What TV show(s) do you keep watching over and over again?

Seinfeld; never gets old.

5.  How long have you been working on this screenplay?

This particular script took about two months to plan, write, rewrite, etc. It’s been a few months since I’ve “finished” it (i.e. the version you’re seeing read aloud), and I’m looking forward to feedback.

6. How many stories have you written?
Initially when I started writing comedy, I only wanted to be a late night show writer. I’ve written countless late night packets. It wasn’t until a fairly recent (within the year) chat with a manager in LA, that spurred me to try a spec script. That’s when this “Unbreakable Kimmy Schmidt” came along. Since then I’ve also written a pilot.

7. What motivated you to write this screenplay?

It was definitely a discussion I had with a manager in LA. I had initially just wanted to write for late night, but she encouraged me to try writing a spec, and then a pilot, to sort of round out my writing portfolio. I’m really glad she did. I enjoyed the spec script process so much.

8. What obstacles did you face to finish this screenplay?

I actually pitched this idea first, then withdrew it, pitched two others, and chose one of those. I pursued that one for a good couple of weeks and just really… struggled. I think when you’re struggling you have to ask yourself if it’s because you’re not inspired by the story. I knew wholeheartedly that it was the first pitch that I really wanted to do, so I went back. It took me a few steps backwards in the process, but I caught up. It was worth it, obviously. It was way more personal, it clearly resonated with others, and it fit within the scope of the show well. Sometimes you have to go with your initial instinct.

9. Apart from writing, what else are you passionate about?

Lots of things! Family – my brother and future sister-in-law just asked me to officiate their wedding; I’m now ordained. You can call me Reverend. I have a tiny dog who’s almost eight-years-old. He’s like my son. He can also be a little jerk. Speaking of animals, fun fact: I live in an artists’ community and paint pet portraits as a side business.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was looking for a festival or competition that accepted spec scripts and this is one of the few that does. My feedback was great. It was specific and totally understandable. I actually used to write feedback for a company called Bluecat Screenplay Competition. Very similar.

11. Any advice or tips you’d like to pass on to other writers?

I would only suggest that if you’re having trouble starting or aren’t sure how to go about writing a spec script or a pilot, what’s always ALWAYS helped me is making two outlines. First, a page-by-page outline. Just start with page one, #1, and write just one sentence describing what happens. Next #2, one sentence description, etc. It’s kinda tough to limit it to just one sentence, but try to keep it simple. Second, a classic outline. This is more descriptive. You can add in your scene headings, then a paragraph describing what takes place.

Hopefully that makes sense! Seriously from there it’s SO easy to write, write, write!

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

TV PILOT Reading – LIFE IN THE FAST LANE by Debi Calabro

LIFE IN THE FAST LANE is the January 2016 winning TV Pilot. Watch the table reading performed by professional actors.

TV PILOT: LIFE IN THE FAST LANE
by Debi Calabro

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

Get to know writer Debi Calabro:

Matthew Toffolo: What is your screenplay about?

Debi Calabro: It’s about three very different families and how their involvement in the sport of horse racing brings them together.

Matthew: Why should this screenplay be made into a TV show?

Debi: The series would focus on these three families and their trials and tribulations on and off the racetrack. Their situations are all very unique and it will be compelling to see how they solve (or try to solve) their own issues as well as how they intermingle which usually causes more turmoil than not.

Racetrack attendees are a rare breed and this group is no different which will make the show interesting and entertaining to watch.

Matthew: How would you describe this script in two words?

Debi: Unique, entertaining.

Matthew: What TV show(s) do you keep watching over and over again?

Debi: Rescue Me, Modern Family, Seinfeld,

Matthew: How long have you been working on this screenplay?

Debi: About eight months.

Matthew: How many stories have you written?

Debi: Lost count.

Matthew: What motivated you to write this screenplay?

Debi: As a racehorse owner I couldn’t pass up the opportunity to write about the characters that attend the track on a daily basis. From the down and out gambler who would spend their last two bucks on a bet to the wealthiest thoroughbred owners, they all have one thing in common, to win

Matthew: What obstacles did you face to finish this screenplay?

Debi: None.

Matthew: Apart from writing, what else are you passionate about?

Debi: Being a racehorse owner.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Debi: I really liked the idea of the reading and the feedback was priceless.

Matthew: Any advice or tips you’d like to pass on to other writers?

Debi: Always get your work critiqued before sending it out. When you receive the critique back read it a couple of times to really understand what your consultant is trying to say because when you first read it one would perhaps try to dismiss it since, as the writer, you might not be able to comprehend how “your” story could be any other way. But someone else’s opinion, especially a professional, can most often than not, open the writers eyes for a new perspective.

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

 

Today’s TV Screenplay Reading: CURB YOUR ENTHUSIASM by Chris Agnew

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

CURB YOUR ENTHUSIASM TV SPEC
Written by Chris Agnew
Read 10 Questions with the writers

SYNOPSIS:

A spec from the classic TV spec screenplay Curb Your Enthusiasm. A fun-filled romp for the entire family.

CAST LIST:

NARRATOR – Rochelle Burke
LARRY – Charles Gordon
LEON – Aieron Munro
MS. KOTCHERY – Susan Wilson
JEFF – Rob Notman
SPENCER – Paul Falkowski
SUSIE – Maya Woloszyn

Today’s TV Pilot Screenplay Reading: UP COUNTRY MOTORS, by John Fuhrman

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

UP COUNTRY MOTORS “Deal of the Day”
by John Fuhrman
Reading of the TV PILOT Script

SYNOPSIS:

Up Country Motors is a weekly sitcom in which over stressed Jack Matthews escapes from a New York car Dealership to manage a collection of misfits at a dealership in Northern Vermont recently inherited by the personification of a blonde joke.

CAST LIST:

NARRATOR – Susan Wilson
JACK – Nick Baillie
GEOFF/SANDERSON – Roman Spera
AIMEE – Melinda Michael
BOBBI II – Adam McNamara
ROLAND – Neil Kulin
NORMA – Val Cole
SHEREE – Elitsa Bako
DEALER – Kerstin Bradler

2015 TV Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 16 TV Spec Screenplay Winners for 2015:

ACTORTV SPEC – Modern Family
December 2015 Reading
Written by Debi Calabro
ACTORTV SPEC – The Americans
December 2015 Reading
Written by Addison A.A. Bhuyan
ACTORTV SPEC – Bob’s Burgers
November 2015 Reading
Written by Travis McMaster & Tony Interdonato
ACTORTV SPEC – Silicon Valley
October 2015 Reading
Written by Jennifer McAuliffe
ACTORTV SPEC Reading of CURB YOUR ENTHUSIASM
September 2015 Reading
Written by Chris Agnew
ACTORFAN FICTION – DOCTOR WHO
August 2015 Reading
Written by Mark Renshaw

ACTORTV SPEC – ORPHAN BLACK
July 2015 Reading
Written by Jacqueline Bircher
ACTORTV SPEC SCRIPT – FAMILY GUY
June 2015 Reading
Written by Dave Chan
ACTORTV SPEC SCRIPT – IT’S ALWAYS SUNNY IN PHILADELPHIA
June 2015 Reading
Written by Keith Black
ACTORTV SPEC: NEW GIRL “Career Day”
May 2015 Reading
Written by Melissa K. Willis
ACTORTV SPEC: GIRLS “Camping”
May 2015 Reading
Written by Yolanda R. Easiley
ACTORTV SPEC – JESSIE “We Don’t Have a Clooney”
April 2015 Reading
Written by Giuseppe LiMandri
ACTORTV SPEC – COUGAR TIME “Jammin Me”
April 2015 Reading
Written by Felicity Flesher
ACTORTV SPEC – ARROW “Second Chances”
March 2015 Reading
Written by Molly Driscoll
ACTORTV SPEC – CURB YOUR ENTHUSIASM
February 2015 Reading
Written by Mark Melara
ACTORTV SPEC – VEEP
January 2015 Reading
Written by Emily Cirillo

 

Watch TV PILOT Reading: VINCENT LOCKE: VILLAIN-AT-LAW by Christiaan Alexander Kutlik

I was mainly trying to find feedback on my script. After leaving college, I suddenly found myself in a void where I could no longer find critiques from peers. This festival felt like a great opportunity to find a professional critique, especially with the live table-read. Rarely does a screenwriter have a chance to hear their script performed live by actors.

Watch the November 2015 Winning TV PILOT Table Reading

Watch VINCENT LOCKE: VILLAIN-AT-LAW

CAST LIST:

NARRATOR – Becky Shrimpton
LOCKE – Adam Martignetti
FORD – Erynn Brook
BODYBUILDER – Allan Michael Brunet
PROSECUTOR/CHANG – Devin Upham
WHITE QUEEN – Lauren Toffan

Get to know writer Christiaan Alexander Kutlik:

1. What is your screenplay about?

Besides the super-hero aspect, what Vincent Locke: Villain-At-Law is about is average people trying to make their own mark in world where everyone else seems extraordinary.

2. Why should this screenplay be made into a TV show?

There’s a real richness to the world I have created that can be explored only on TV: it plays on a ton of super-hero tropes, these characters have complex emotions towards the world they inhabit, and I have envisioned numerous stories and changes to put these characters through.

3. This story has a lot going for it. How would you describe this script in two words?

Chaotic fun.

4. What movie have you seen the most in your life?

Probably The Lion King or The Nightmare Before Christmas. I watched them so much as a kid!

5. This is a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

I first came up with the idea about 3 years ago after I heard a joke about a “lawyer for super-heroes” on the internet. Around the same time I was working on a comedic scene to present in my Intro to TV class at NYU. I based a scene around that joke, but the scene wasn’t very funny. I couldn’t shake the idea of a “lawyer for super-heroes” though, so I workshopped the idea until the “joke” became Vincent Locke: Villain-At-Law.

6. There was a debate with the actors at the reading on whether this script is better suited for live-action or in animation. What are you intentions with this pilot? A cartoon show or a live-action show?

Funny enough, that was a debate I had myself. The very first drafts were written as live-action, but after a few discussions with classmates I finally settled to write the script as an animation. Peers often made reference to shows like Ugly Americans, Bojack Horseman, and Archer so it just made sense to write the show as an animation.

7. What motivated you to write this screenplay?

The current climate of endless super-hero movies and shows seemed ripe to be mocked, but no show seemed to be stepping up to the plate. I wanted to be the one to take a swing at super-hero satire. I’ve also been a big fan of super-heroes, sci-fi, and fantasy since I was a kid. This script seemed like the perfect opportunity to have some fun with the genres I love.

8. What obstacles did you face to finish this screenplay?

I had to re-write the script several times since its inception 3 years ago. Every re-write changed the story in some radical way as I searched for the core of the story. Starting the script was often the most difficult part, as was coming back to edit a new draft.

9. Apart from writing, what else are you passionate about?

I’m a huge gamer and graphic novels fan. You find such immersive and rich worlds that don’t seem could be fully captured in film or TV without a massive budget. Two examples that come to mind is Xenoblade Chronicals and Neil Gaiman’s The Sandman. Both give you an incredibly atmospheric world with a deep, immersive history.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was mainly trying to find feedback on my script. After leaving college, I suddenly found myself in a void where I could no longer find critiques from peers. This festival felt like a great opportunity to find a professional critique, especially with the live table-read. Rarely does a screenwriter have a chance to hear their script performed live by actors.

11. Any advice or tips you’d like to pass on to other writers?

Sometimes you need to step away from a project for a while before you can see your writing for what it is. Speaking to other’s about your projects is also immensely helpful in finding holes and problems in your story.

* * * * *
Deadline for Television Pilot/Spec Screenplay Festival:
https://tvfestival.org/

Watch TV Spec Reading of BOB’S BURGERS by Travis McMaster & Tony Interdonato

A friend of mine who just moved to L.A. from Brooklyn read our script and recommend we enter it. The coverage and feedback were right-on and helped us tighten up and improve things after staring at it for so many months.

Watch the November 2015 Winning TV Spec Screenplay Table Read.

Watch BOB’S BURGERS “Wreck Center”

CAST LIST:

NARRATOR – Becky Shrimpton
BOB – Allan Michael Brunet
LINDA – Erynn Brook
LOUISE – Lauren Toffan
GENE – Adam Martignetti
TINA – Devin Upham

Get to know writers Travis McMaster & Tony Interdonato:

1. What is your TV spec screenplay on Bob’s Burgers about?

We wanted to do a full family story. Mr. Fishodoer has extorted the Belcher family into using the rec. center.

2. Why should this screenplay fit into the context of the tv show?

In the previous seasons we’ve seen a lot of building of the town mythos, with the wharf arts center, the track, the convention center. We wanted to expand the town and also Bob and Linda’s history in it. We liked having a connection to Bob and Linda’s youth that they could (overbearingly) share with their kids.

3. This story has a lot going for it. How would you describe this script in two words?

Family Adventure.

4. What movie have you seen the most in your life?

Tony: Star Wars (A New Hope)
Travis: According to my mom, Dumbo.

5. This is a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

We started this spec last November. So 8-10 months before submitting it here.

6. How many stories have you written?

Tony: About 10 specs, 5 originals (both comedy and drama), and 20 comic book scripts
Travis: 2 specs, 3 pilots, outlines for 8 more, and I got a feature rattling around in my head that I can’t quite pin down.

7. What motivated you to write this screenplay?

We are both huge fans of Bob’s Burgers. The voice cast and writing team are so talented. In a lot of ways, it’s the spiritual successor to “The Simpsons” in terms of the family dynamic.

8. What obstacles did you face to finish this screenplay?

We struggled with Louise having enough purpose throughout, since Bob/Linda are teamed with Gene/Louise.
I struggled with maintaining and 80’s movie theme throughout, and then reconciling with the fact the the climax is a reference to ‘The Thomas Crown Affair’ which is very much a 90s film.

9. Apart from writing, what else are you passionate about?

Tony: I’m an avid gamer, both table top and video games. I DM weekly for our Dungeons & Dragons group. I’m also an obsessive comic book fan and spend most of my free time in L.A. going out to concerts
Travis: Dogs. Really into dogs. Also Disney World, I’m a big theme park guy. And there’s this bisque, every Tuesday I drive to Burbank to get it from the Ragin’ Cajun food truck. It haunts me.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

A friend of mine who just moved to L.A. from Brooklyn read our script and recommend we enter it. The coverage and feedback were right-on and helped us tighten up and improve things after staring at it for so many months.

11. Any advice or tips you’d like to pass on to other writers?

Just write all the time, every free moment you have. Don’t sandbag yourself. If a show or idea resonates with you, pursue it, even if it’s only for yourself.

* * * * *

Deadline for Television Pilot/Spec Screenplay Festival:
https://tvfestival.org/

Watch the November 2015 Winning TV PILOT Reading

Deadline November 15th for Television Pilot/Spec Screenplay Festival
https://tvfestival.org/

Deadline November 15th for Television Pilot/Spec Screenplay Festival
https://tvfestival.org/

TV PILOT Winng – Hail Mary
November 2015 Reading
Written by Stan Williamson

SYNOPSIS:

Named by her father after a football pass with little chance of success, a quick-witted former pro beach volleyball player takes on the exclusive boys club of professional sports by becoming a sports agent/attorney.

CAST LIST:

NARRATOR – Christina Santos
MARY SPARKS- Holly Sarchfield
JASON SPARKS – Jarrid Terrell
STEVEN CAMPBELL – Geoff Mays
JUDGE/PERKINS – David Occhipinti
VICKY/HANNA – Lorry Ayers