January 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for January 2016:

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for January 2016:

TV PILOT – LACIE BIDWELL
Written by Jameel Khan

SYNOPSIS:

LACIE BIDWELL is about a girl who’s father created a zombie virus that killed thousands. It’s twelve years later and she’s in college and still has to deal with being the daughter of one of the most hated men in the world.

CAST LIST:

NARRATOR – Sean Ballantyne
LACIE – Elizabeth Owens Skidmore
CHALMERS – Nick Baillie
HOPE – Maya Woloszyn
JEFF/BEN – Jovan Kocic
DAVID/OMAR – Christopher Huron
SAITO – Mandy May Cheetham

TV PILOT – LIFE IN THE FAST LANE
Written by Debi Calabro

SYNOPSIS:

Life in the Fast Lane is about three very different families and how their involvement in the sport of horse racing brings them together.

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

TV SPEC – UNBREAKABLE KIMMY SCHMIDT
Written by Jen Turriff

SYNOPSIS:

In this spec of ‘Unbreakable Kimmy Schmidt,’ Kimmy quickly becomes addicted to an iPad game. As she discovers she unknowingly made in-app purchases, she has to find a creative way to pay her debts. Meanwhile, Titus battles his own obsession and Jacqueline struggles with her need to be accepted by Xan.

CAST LIST:

NARRATOR – Christopher Huron
KIMMY – Mandy May Cheetham
TITUS – Kaleb Alexander
JACQUELINE – Elizabeth Owens Skidmore
BUCKLEY – Jovan Kocic
SALES WOMAN – Maya Woloszyn

____

Director/Producer – Matthew Toffolo

Editor – John Johnson

Casting Director – Sean Ballantyne

 

 

 

Best Scene Reading of the TV Pilot ABSYNTHIA by Seregon O’Dassey

Logline: An attack on a mercenary airship, while on a seemingly innocent cargo run sends the lives of the Captain and her crew into their not so innocent pasts. Will the events that unfold destroy the future for everyone that the government has carefully and deliberately planned?

The crew (of the airship, The Absynthian) is five mercenaries operating under the direction of a secret Organization known as Tri-Aengle. They are on a random cargo run when they are attacked by a rival ship. After each crew member suffers par amnesia – to varying degrees – their random memories and experiences complicate their relationships

Watch the Best Scene Reading of ABSYNTHIA:

CAST LIST:

NARRATOR – Nick Baillie
SYNTHIA – Mandy May Cheetham
JULES – Christopher Huron
RIVEN – Kaleb Alexander
VAJA – Elizabeth Owens Skidmore
TEA – Maya Woloszyn

Get to know writer Seregon O’Dassey:

Matthew Toffolo: What is your TV Pilot screenplay about? 

Seregon: Logline: An attack on a mercenary airship, while on a seemingly innocent cargo run sends the lives of the Captain and her crew into their not so innocent pasts. Will the events that unfold destroy the future for everyone that the government has carefully and deliberately planned?

The crew (of the airship, The Absynthian) is five mercenaries operating under the direction of a secret Organization known as Tri-Aengle. They are on a random cargo run when they are attacked by a rival ship. After each crew member suffers par amnesia – to varying degrees – their random memories and experiences complicate their relationships.

Matthew: Why should this screenplay be made into a TV show? 

Seregon: This screenplay addresses situations from all sides of the same story. Who is the hero/villain, and who gets to make the rules and why? It has strong female characters in roles that are anything but traditional: these women as smart, strong, fighting their own battles (both physically and emotionally), and the fact that they are beautiful is just a bonus.

Matthew: This story has a lot going for it. How would you describe this script in two words?    

Seregon: Emotional roller coaster

Matthew: What TV show do you keep watching over and over again? 

Seregon: Star Trek: TNG. I’m also hooked on The Expanse right now.

Matthew: This is a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

Seregon: Several months. I wrote the first draft in 3 weeks in February of 2015. I spent a couple of months doing revisions and then decided to start entering it into festivals. The story kept going in my head, so I kept writing.

Matthew: How many stories have you written? 

Seregon: I have written a novella (not yet published), several short stories and poems, 4 episodes total of Absynthia (3 in addition to the pilot) and a short film that I am directing in a couple of weeks.

Matthew: What motivated you to write this screenplay? 

Seregon: I tend to write what I see and hear, and I always write down vivid or crazy dreams. I like to philosophize about society and behavior, and I often take the side of the underdog. I like to question who the real protagonists/antagonists of stories are, and why we (as a society) are conditioned to champion one over the other. Most things are not quite that absolute: even the “villain” has a story…

Matthew: What obstacles did you face to finish this screenplay? 

Seregon: To finish the first draft? None. It just flowed. The challenges were in the editing and the three subsequent episodes I also wrote. I had to remember what happened when and to whom. When it’s an episodic one has to think ahead, remember what they already came up with, and be careful they don’t write themselves into a corner.

Matthew: Apart from writing, what else are you passionate about? 

Seregon: Reading and exploration of nature vs nurture. I’m a strong believer in breaking the “boxes” that society has created for people. I encourage everyone to question everything they’ve ever read, heard, or been told.  That’s why I love Science fiction: it’s a great avenue to explore sociology and psychology. Anything goes: It’s literally science and fiction meshed together to create philosophy.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Seregon:  At first I entered a couple of festivals that had general screenplay categories, but I thought it best to concentrate on festivals that had a specific category for TV pilots, as this would provide the best feedback and advice. After researching several festivals I found this one to have a high amount of recognition. Receiving feedback from this festival has not only helped me significantly in becoming a better writer, but it’s helped me to learn how to write in the industry. Coming from an avid reader background, I used to write how I read: very novel-esque. I now feel I have a better handle on screenwriting vs. novel writing.

The initial feedback I received from this festival made me think creatively, but also keeping in mind the marketability of my material. I had pretty thick skin to begin with, being an actor for several years, but I had to learn how to take advice and apply it to what I had. That constructive criticism was priceless information.

Matthew: Any advice or tips you’d like to pass on to other writers? 

Seregon: On a creative level: READ! Read everything – stuff you love, stuff you hate, and all subjects. If you only read one thing, you only think one way. Listen to people. Don’t just hear, but really listen. Watch people. Learn. Life, even in the fiction word, is happening all around. When you create your own world anything goes, so don’t limit yourself.

On a practical level: Don’t stop doing your thing. Don’t compare yourself to anyone except the person you were yesterday. Don’t listen to haters or naysayers, and don’t get caught in the net of other people who are too afraid to try. Remember the saying that those too weak to follow their own dreams will always find a way to discourage yours. In the Labyrinth, you get a lot of false alarms, especially when you’re on the right track.

On an emotional level: There are going to be days that you just want to sulk, cry, and not want to get out of bed, particularly after you get a rejection. Remember that the best people in history suffered setbacks. Go ahead and cry if you want. Just dry your tears and get up. Try again. And again. And again.

Express gratitude. Always.

 

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

TV SPEC Reading UNBREAKABLE KIMMY SCHMIDT by Jen Turriff

I think I found that the key to writing for “Unbreakable Kimmy Schmidt” is finding that balance between Kimmy as a naive, sort of unaware of how the world works, and Kimmy as the brave, independent woman that would take on a city like New York. There are two sides to her, I think you have to kind of balance the story in the same way. I like to think that I did that with the surface story of Kimmy becoming addicted to an iPad app and racking up a big bill of those in-app purchases, but beyond that, if you look a little deeper, there’s a bigger story about addiction and how easy it is for someone to fall into a bad habit. Again, there’s that balance.

UNBREAKABLE KIMMY SCHMIDT is the January 2016 winning TV Spec. Watch the table reading performed by professional actors.

TV SPEC: UNBREAKABLE KIMMY SCHMIDT
by Jen Turriff

CAST LIST:

NARRATOR – Christopher Huron
KIMMY – Mandy May Cheetham
TITUS – Kaleb Alexander
JACQUELINE – Elizabeth Owens Skidmore
BUCKLEY – Jovan Kocic
SALES WOMAN – Maya Woloszyn

 

Get to know writer Jen Turriff:

1. What is your screenplay on the Netflix show “Unbreakable Kimmy Schmidt” about?

Believe it or not, the idea of the spec of “Unbreakable Kimmy Schmidt” that I wrote, came from my experience with addiction to Peanut Butter M&Ms. It was a brief, but intense time in my life that caused me much anguish and inevitable weight gain. I always like to write from real life, after all, it’s what I know. So that’s why I chose to write about that particular experience; it was an innocent enough premise on the surface for Kimmy, with the ability to go much deeper.

The next step was figuring out how to translate my story into Kimmy’s. It took awhile, but I eventually found a way to make it work for a 30-something with the mindset of a preteen. In “Kimmy Gets Addicted!” Buckley shows Kimmy a gaming app on his iPad and she quickly becomes addicted. Unfortunately, she doesn’t realize she’s spending loads of money on in-app purchases – worse, it’s linked to Jacqueline’s account. Kimmy has to figure out a way to make the money and pay her back. That’s where Titus comes in, who is in the meantime on a quest to purchase the fur coat of his dreams at a consignment shop. The duo have to work together to achieve their goals.

2. Why does this screenplay fit into the context of the show?

I think I found that the key to writing for “Unbreakable Kimmy Schmidt” is finding that balance between Kimmy as a naive, sort of unaware of how the world works, and Kimmy as the brave, independent woman that would take on a city like New York. There are two sides to her, I think you have to kind of balance the story in the same way. I like to think that I did that with the surface story of Kimmy becoming addicted to an iPad app and racking up a big bill of those in-app purchases, but beyond that, if you look a little deeper, there’s a bigger story about addiction and how easy it is for someone to fall into a bad habit. Again, there’s that balance.

Also, I wrote it to fit into the first half of the first season sort of generically. It’s sort of got an ambiguous timeline, and at the same time uses all of the main characters in the show at that time.

3. How would you describe this script in two words?

(TWO WORDS? That’s impossible! It’s not going to be good…)

Kimmy’s addiction?

4. What TV show(s) do you keep watching over and over again?

Seinfeld; never gets old.

5.  How long have you been working on this screenplay?

This particular script took about two months to plan, write, rewrite, etc. It’s been a few months since I’ve “finished” it (i.e. the version you’re seeing read aloud), and I’m looking forward to feedback.

6. How many stories have you written?
Initially when I started writing comedy, I only wanted to be a late night show writer. I’ve written countless late night packets. It wasn’t until a fairly recent (within the year) chat with a manager in LA, that spurred me to try a spec script. That’s when this “Unbreakable Kimmy Schmidt” came along. Since then I’ve also written a pilot.

7. What motivated you to write this screenplay?

It was definitely a discussion I had with a manager in LA. I had initially just wanted to write for late night, but she encouraged me to try writing a spec, and then a pilot, to sort of round out my writing portfolio. I’m really glad she did. I enjoyed the spec script process so much.

8. What obstacles did you face to finish this screenplay?

I actually pitched this idea first, then withdrew it, pitched two others, and chose one of those. I pursued that one for a good couple of weeks and just really… struggled. I think when you’re struggling you have to ask yourself if it’s because you’re not inspired by the story. I knew wholeheartedly that it was the first pitch that I really wanted to do, so I went back. It took me a few steps backwards in the process, but I caught up. It was worth it, obviously. It was way more personal, it clearly resonated with others, and it fit within the scope of the show well. Sometimes you have to go with your initial instinct.

9. Apart from writing, what else are you passionate about?

Lots of things! Family – my brother and future sister-in-law just asked me to officiate their wedding; I’m now ordained. You can call me Reverend. I have a tiny dog who’s almost eight-years-old. He’s like my son. He can also be a little jerk. Speaking of animals, fun fact: I live in an artists’ community and paint pet portraits as a side business.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was looking for a festival or competition that accepted spec scripts and this is one of the few that does. My feedback was great. It was specific and totally understandable. I actually used to write feedback for a company called Bluecat Screenplay Competition. Very similar.

11. Any advice or tips you’d like to pass on to other writers?

I would only suggest that if you’re having trouble starting or aren’t sure how to go about writing a spec script or a pilot, what’s always ALWAYS helped me is making two outlines. First, a page-by-page outline. Just start with page one, #1, and write just one sentence describing what happens. Next #2, one sentence description, etc. It’s kinda tough to limit it to just one sentence, but try to keep it simple. Second, a classic outline. This is more descriptive. You can add in your scene headings, then a paragraph describing what takes place.

Hopefully that makes sense! Seriously from there it’s SO easy to write, write, write!

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

TV PILOT Reading – LIFE IN THE FAST LANE by Debi Calabro

LIFE IN THE FAST LANE is the January 2016 winning TV Pilot. Watch the table reading performed by professional actors.

TV PILOT: LIFE IN THE FAST LANE
by Debi Calabro

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

Get to know writer Debi Calabro:

Matthew Toffolo: What is your screenplay about?

Debi Calabro: It’s about three very different families and how their involvement in the sport of horse racing brings them together.

Matthew: Why should this screenplay be made into a TV show?

Debi: The series would focus on these three families and their trials and tribulations on and off the racetrack. Their situations are all very unique and it will be compelling to see how they solve (or try to solve) their own issues as well as how they intermingle which usually causes more turmoil than not.

Racetrack attendees are a rare breed and this group is no different which will make the show interesting and entertaining to watch.

Matthew: How would you describe this script in two words?

Debi: Unique, entertaining.

Matthew: What TV show(s) do you keep watching over and over again?

Debi: Rescue Me, Modern Family, Seinfeld,

Matthew: How long have you been working on this screenplay?

Debi: About eight months.

Matthew: How many stories have you written?

Debi: Lost count.

Matthew: What motivated you to write this screenplay?

Debi: As a racehorse owner I couldn’t pass up the opportunity to write about the characters that attend the track on a daily basis. From the down and out gambler who would spend their last two bucks on a bet to the wealthiest thoroughbred owners, they all have one thing in common, to win

Matthew: What obstacles did you face to finish this screenplay?

Debi: None.

Matthew: Apart from writing, what else are you passionate about?

Debi: Being a racehorse owner.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Debi: I really liked the idea of the reading and the feedback was priceless.

Matthew: Any advice or tips you’d like to pass on to other writers?

Debi: Always get your work critiqued before sending it out. When you receive the critique back read it a couple of times to really understand what your consultant is trying to say because when you first read it one would perhaps try to dismiss it since, as the writer, you might not be able to comprehend how “your” story could be any other way. But someone else’s opinion, especially a professional, can most often than not, open the writers eyes for a new perspective.

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

Submit your TV Pilot to the Festival Today: https://tvfestival.org/

 

Today’s TV Screenplay Reading: MODERN FAMILY Spec by Debi Calabro

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

MODERN FAMILY TV SPEC
Written by Debi Calabro
Read 10 Questions with the writer

SYNOPSIS:

This episode it about the ups and the downs of parenthood but ultimately it’s all good in the end.

CAST LIST:

NARRATOR – Sean Kaufmann
GLORIA – Jane Hailes
CLAIRE – Jane Smythe
PHIL/MITCHELL – Kari-Michael Helava
CAMERON/LUKE/MANNY – Robert Notman
LILY – Antosia Fiedur
JAY – Sean Ballantyne

Watch the Winning 2015 Comedy TV Spec Screenplays

Submit your TV Pilot/Spec Screenplay to the Festival: http://tvfestival.org

Submit your TV Pilot/Spec Screenplay to the Festival: http://tvfestival.org

Watch the 16 TV Spec Screenplay Winners for 2015:

ACTORTV SPEC – Modern Family
December 2015 Reading
Written by Debi Calabro
ACTORTV SPEC – Bob’s Burgers
November 2015 Reading
Written by Travis McMaster & Tony Interdonato
ACTORTV SPEC – Silicon Valley
October 2015 Reading
Written by Jennifer McAuliffe
ACTORTV SPEC Reading of CURB YOUR ENTHUSIASM
September 2015 Reading
Written by Chris Agnew
ACTORTV SPEC SCRIPT – FAMILY GUY
June 2015 Reading
Written by Dave Chan
ACTORTV SPEC SCRIPT – IT’S ALWAYS SUNNY IN PHILADELPHIA
June 2015 Reading
Written by Keith Black
ACTORTV SPEC: NEW GIRL “Career Day”
May 2015 Reading
Written by Melissa K. Willis
ACTORTV SPEC: GIRLS “Camping”
May 2015 Reading
Written by Yolanda R. Easiley
ACTORTV SPEC – JESSIE “We Don’t Have a Clooney”
April 2015 Reading
Written by Giuseppe LiMandri
ACTORTV SPEC – COUGAR TIME “Jammin Me”
April 2015 Reading
Written by Felicity Flesher
ACTORTV SPEC – CURB YOUR ENTHUSIASM
February 2015 Reading
Written by Mark Melara
ACTORTV SPEC – VEEP
January 2015 Reading
Written by Emily Cirillo

Watch the October 2015 Winning TV PILOT Screenplay Readings

Deadline November 15th for Television Pilot/Spec Screenplay Festival
https://tvfestival.org/

Watch the 2 TV PILOT Winners for October 2015:

TV PILOT – Max Cobra
October 2015 Reading
Written by Brad Heisler

SYNOPSIS:

Well, plot-wise, the pilot of Max Cobra: Dark Future is about an ex-government assassin/war hero drafted by the president to stop rogue Soviet soldiers from destroying the planet in an alternate version of 1997.

But conceptually, the show is about recreating the magic of the old 80s action movies, when heroes were effortlessly cool, the dialogue was unforgettable and immediately quotable, the effects were campy and vivid, and most importantly, the action was fun. Action today takes itself too se

CAST LIST:

NARRATOR – Lorry Ayers
MAX COBRA – Jarrid Terrell
GENERAL/AGENT CONAN – Geoff Mays
PRESIDENT POWERS – David Occhipinti
DR. SANFORD – Christina Santos

TV PILOT – Westbound
October 2015 Reading
Written by Jeff Aluli

SYNOPSIS:

Follows a group of individuals who live the world of “Train Hopping” and move from city to city around the United States.

CAST LIST:

NARRATOR – Sean Ballantyne
Termite/Doughboy/Pennwise – Jerald Bezener
Uranium/Caboose – Rob Salerno
Emily/V-Switch – Misha Harding
Ozarks – Charles Gordon
Trails – Katelyn Cooper

TV Festival Announces its August 2015 Winners

Deadline August 31st: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Deadline August 31st: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch the Winning TV PILOT and TV SPEC Screenplay Winners for August 2015.

TV PILOT Reading of HAUNTED HEART
August 2015 Reading
Written by Robert Herold
http://www.wildsoundfestival.com/haunted_heart.html

Genre: Horror, Supernatural, Thriller

SYNOPSIS:
A former Confederate officer, tortured by visions, is recruited by a group of paranormal investigators and taken deep into a world of ghosts and supernatural beings threatening the life of the woman he loves.

CAST LIST:
NARRATOR – Susan Wilson
NIGEL – Robert Notman
ANNABELLE – Maya Woloszyn
LENORE – Rochelle Burke
EDGAR – Aieron Munro
SARAH – Antosia Fiedur
WILLIAM JAMES – Charles Gordon
CORPORAL – Paul Falkowski

TV PILOT SCRIPT – WASHED UP
August 2015 Reading
Written by Leila Ben-Abdallah
http://www.wildsoundfestival.com/washed_up.html

Genre: Comedy, Family

SYNOPSIS:
Washed-Up is about an Arab-American actress, Lena Hadid, who finds fame as a sexy, three-breasted alien queen on a hit sci-fi show with a devoted cult following. When she leaves the show, she finds herself too typecast to ever work again.

CAST LIST:
NARRATOR – Matthew Lawrence
LENA – Reetu Bambrah
BARRIE/AMIR – Julian Ford
ADAM – Vince Jerad
CONSTANCE/NADIA – Victoria Murdoch

TV SPEC Reading of CURB YOUR ENTHUSIASM
August 2015 Reading
Written by Chris Agnew
http://www.wildsoundfestival.com/curb_your_enthusiasm_chris_agnew.html

Genre: Spec Screenplay, Comedy

SYNOPSIS:
A spec from the classic TV spec screenplay Curb Your Enthusiasm. A fun-filled romp for the entire family.

CAST LIST:
NARRATOR – Rochelle Burke
LARRY – Charles Gordon
LEON – Aieron Munro
MS. KOTCHERY – Susan Wilson
JEFF – Rob Notman
SPENCER – Paul Falkowski
SUSIE – Maya Woloszyn

    * * * * *

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
https://tvfestival.org/2015/06/18/tv-screenplay-testimonials/

Deadline August 15th: SUBMIT your TV SPEC Script from an existing show

Deadline August 15th: SUBMIT your TV SPEC Script from an existing show – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Deadline August 15th: SUBMIT your TV SPEC Script from an existing show – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
https://tvfestival.org/2015/06/18/tv-screenplay-testimonials/

Watch the 2015 Winning TV SPEC Screenplays:

TV SPEC – ORPHAN BLACK
July 2015 Reading
Written by Jacqueline Bircher
http://www.wildsoundfestival.com/orphan_black.html

TV SPEC SCRIPT – FAMILY GUY
June 2015 Reading
Written by Dan Chan
http://www.wildsoundfestival.com/family_guy.html

TV SPEC SCRIPT – IT’S ALWAYS SUNNY IN PHILADELPHIA
June 2015 Reading
Written by Keith Black
http://www.wildsoundfestival.com/its_always_sunny_in_philadelphia.html

TV SPEC: NEW GIRL “Career Day”
May 2015 Reading
Written by Melissa K. Willis
http://www.wildsoundfestival.com/new_girl.html

TV SPEC: GIRLS “Camping”
May 2015 Reading
Written by Yolanda R. Easile
http://www.wildsoundfestival.com/girls.html

TV SPEC – JESSIE “We Don’t Have a Clooney”
April 2015 Reading
Written by Giuseppe LiMandri
http://www.wildsoundfestival.com/jessie.html

TV SPEC – COUGAR TIME “Jammin Me”
April 2015 Reading
Written by Felicity Flesher
http://www.wildsoundfestival.com/cougar_town.html

TV SPEC – ARROW “Second Chances”
March 2015 Reading
Written by Molly Driscoll
http://www.wildsoundfestival.com/arrow.html

TV SPEC – CURB YOUR ENTHUSIASM
February 2015 Reading
Written by Mark Melara
http://www.wildsoundfestival.com/curb_your_enthusiasm.html

TV SPEC – VEEP
February 2015 Reading
Written by Emily Cirillo
http://www.wildsoundfestival.com/veep.html

Watch Winning TV PILOT Performance Read – FAUST by Niel Thompson

SYNOPSIS:

Detective Amelia Faust is a wizard, the last wizard. It is her job to protect humanity from what is left of the supernatural. Abby is a young girl who can’t go home. She becomes Faust’s assistant. The two fight and defeat an ancient vampire, mummy queen and Faust decides to take Abby on as an apprentice.

SYNOPSIS:

Detective Amelia Faust is a wizard, the last wizard. It is her job to protect humanity from what is left of the supernatural. Abby is a young girl who can’t go home. She becomes Faust’s assistant. The two fight and defeat an ancient vampire, mummy queen and Faust decides to take Abby on as an apprentice.

Watch the Winning Performance Reading:

CAST LIST:

NARRATOR – Susan Wilson
Faust – Krista Morin
Abby – Christina Aceto
Malchior – Allen Brunet
Amarete – Pip Dwyer
Donovan – Dan Fox
Ward – Ryan Anning

Get to know writer Niel Thompson:
Watch Winning TV PILOT “FAUST” by Niel Thompson (plus interview)

I entered the TV Festival because it was recommended on moviebytes.com. It was highly rated, and I liked that I would receive feedback regardless of the outcome of my script. Good feedback is hard to find, and so I decided to do it. The feedback received was very valid and constructive.

– Writer Niel Thompson