TV PILOT Winning Reading – The Spectral City by Arthur Vincie

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/ Watch the TV Pilot Screenplay Winner for July 2016: The Spectral City by Arthur Vincie SYNOPSIS: Genre: Sci-Fi, War, Supernatural Three refugees, thrown together by chance, flee a modern-day civil war set in an unspecified country. Evading the army, rebels, bandits, gods, and demons, they head to the… Continue reading TV PILOT Winning Reading – The Spectral City by Arthur Vincie

TV SPEC Reading – BROOKLYN NINE NINE by Linsen Oyosa

I was searching for festivals to which I could present my work. I had no idea that my script would even be good enough. I just wanted to hear some feedback. When I got the feedback, I was extremely happy because it was very detailed and helped me improve my work and of course, I was accepted into the festival.

TV PILOT Reading: WILD MAGIC by Julie Nichols

Watch the June 2016 Winning TV PILOT. WILD MAGIC  by Julie Nichols SYNOPSIS: Genre: Family, Fantasy, Drama, Comedy A female teenager enters a typical High School and is immediately challenged by bully. Unbeknown to her she has the ability to do magic. It’s Buffy meets ABC Family. CAST LIST: NARRATOR – Val Cole BRITTANY –… Continue reading TV PILOT Reading: WILD MAGIC by Julie Nichols

May 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 4 TV Screenplay Winners for May 2016:

TV PILOT Reading: SMITHEREENS by Hershel D. Rephun

1. What is your TV screenplay about?

SMITHEREENS is about freedom of choice and the fact that sometimes we have to reboot and consider another path. In the case of Harry Doe, the reboot comes in the form of amnesia. Faced with pieces of a troubling past, and an uncertain future, he gets to choose the kind of man he wants to be.

2. How should this Pilot be made into a TV show?

With so much content out there, even greater respect must be paid to the viewer in order to win their time and attention. SMITHEREENS is fresh, thoughtful, funny and poignant. It challenges the creators, performers and the viewers, which is the best way to start that relationship.

3. How would you describe this script in two words?

Distinctive and entertaining.

4. What TV show do you keep watching over and over again?

Mad Men. I’m on my third viewing of the complete series now. Even with so much stuff to watch, I always come back to quality and depth.

5. How long have you been working on this screenplay?

In one form or another, I’ve been working on SMITHEREENS for three years at least. And the influences that have brought me to the project have been working on me since birth.

6. How many stories have you written?

I really don’t know. At least twenty screenplays, three of which have been produced as features. And I write stories every day in one form or another.

7. What motivated you to write this screenplay?

I was moved to explore my own personality, and my ability to convincingly mimic virtually any person or dialect. I don’t just do impressions or voices, I create and inhabit characters. I wanted to figure out why I use that in real life and not just onstage. Is it an escape mechanism? Do I not like who I am? What’s the line between talent and self-deception and fantasy?

8. What obstacles did you face to finish this screenplay?

The challenge was to set up the story so that it could play out over several seasons. With a feature, you need three solid acts. A TV series needs much more.

9. Apart from writing, what else are you passionate about?

My children and fighting climate change, which are related issues.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I loved the idea of the story being brought to life. I thought the feedback was wonderful. Very insightful and constructive!

11. Any advice or tips you’d like to pass on to other writers?

Finish what you start, even if it doesn’t meet your expectations. Writing fiction is not about setting and meeting goals, other than to start and finish a story. The story comes from your muse…and if you don’t respect it and follow through, the muse will move on to someone else.

April 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 3 TV Screenplay Winners for April 2016:

February 2016 TV Pilot/Spec Screenplay Winners

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

Watch the 2 TV Screenplay Winners for February 2016:

Watch the Best Scene Performance of CURB YOUR ENTHUSIASM

Deadline TODAY: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors http://www.tvfestival.org Watch a Best Scene from a CURB screenplay by Chris Agnew SYNOPSIS: The shenanigans of Larry and Leon in this best scene from a Curb Your Enthusiasm Spec. CAST LIST: NARRATOR – Becky Shrimpton Larry – Peter Nelson… Continue reading Watch the Best Scene Performance of CURB YOUR ENTHUSIASM

Watch TV PILOT Reading of UP COUNTRY MOTORS

Up Country Motors is a weekly sitcom in which over stressed Jack Matthews escapes from a New York car Dealership to manage a collection of misfits at a dealership in Northern Vermont recently inherited by the personification of a blonde joke.

Watch SHRINK PROOF, TV PILOT by Stephen Potts

It’s a medical drama, with a new angle. The lead character, Kyra, and her colleagues, work in a small psychiatry department in a busy general hospital. This means they get called to see a wide variety of clinical problems in every area of the hospital. The pilot begins with an urgent call to the transplant intensive care unit. A man has taken a tylenol overdose which has caused severe liver damage. He needs a transplant, but his problems with drugs, alcohol and mental health mean he’s a doubtful candidate. It’s decision time, and it’s Kyra’s call.